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Culture

Under Siege

Wednesday, November 22, 2017 by Tse Moana Leave a Comment

It’s show time again, literally. I have two performances this week I’m attending. The first one was Under Siege by the Yang LiPing Contemporary Dance Company. It is part of the Explore Festival, wherein seven theaters in the Netherlands band together to program a few foreign shows for a small tour. The idea is to pick things form outside western society and to give us a glimpse of the (modern) art that is made there. And then specifically not in a way to exoticise it, but to break stereotypes and let us open our minds to other ways of thinking and seeing. And in that realising that within, were not that different.

On the whole I have two words for it: fucking magnificent.

The performance transcends just dance, it becomes dance theatre. Telling a coherent story in an uninterrupted hour and forty minutes adding in live music and narration. The dancers in the company come from all kinds of dance backgrounds. Some from the very traditional Beijing Opera, some from more martial arts inspired forms, some form classical ballet and some from modern contemporary dance. All these forms are used throughout the performance.

The story is that of war and conquest where one dynasty is about to be superseded by another in China two thousand years ago. There’s a group of dancers playing soldiers, two emperors, the chief advisor to one of them and the concubine of the other. Plus two musicians, the narrator and the paper cutting lady.

This lady sits at the edge of the stage during the entire show cutting things out of paper. Sometimes Chinese characters to serve as marker or narration, sometimes shapes. The narrator actually speaks. He tells us the story, in Chinese. Luckily there’s two screens to the sides that give basic translations of what he’s saying.

The flow of the story takes us from the beginnings of war all the way to end with the last man standing. We see meetings between the one emperor and his advisor, between the other emperor and the advisor, between the first emperor and his dark side. These are all striking duo dance performances, very physical towards each other.

Then there’s mass dances when battles are performed. These incorporate Kung Fu moves with a lot of jumps and kicks.

The concubine gets to do a solo piece. Taking their cue from the Beijng Operatic tradition, she is played by a man. The solo follows her from entering near naked through being dressed until fully dressed and dancing. This is a more stilted piece, but as such it has a commanding presence.

After the main battles and confrontations it is time for the climax. The stage is covered in red feathers to signify the final battlefield. A mass battle is ‘fought’ resulting in basically mass slaughter for the army of the one emperor. Knowing there is no way they’ll get out of it alive, he meets with his concubine one last time. In a moving, and haunting, performance, they say goodbye and then she kills herself. Grief stricken the emperor holds her before leaving to face his final battle.

And in that final battle, he succumbs to the other emperor, who then gets killed by his advisor. Leaving him the sole survivor and new emperor of a new dynasty.

In between all these dance pieces the narrator appears to inform us of what is going on in a flowing Chinese that varies from talking to shouting to a certain sing song quality.

The stage design was elaborate without being overbearing. On the ceiling were four large blocks holding thousands of (fake) scissors. These would move about during the show, and sometimes come down to stage level. Other than this, the background was basic. The soldiers and narrator were likewise basic. The emperors wore intricately decorated garments, but with a basic shape. The only other points of extravagance were the head pieces worn by the advisor and the other emperor, and the outfit of the other emperor during his solo.

I spent the entirety of the performance on the edge of my seat, wholly captivated by what I was seeing. I’ve been taken in by a performance before, but never in such a manner. In China, Yang LiPing is a celebrity with several theaters. This show there is done with a multitude of performers more. Maybe one day I’ll be able to see it like that.

Before the show I attended the introduction which told us a bit more about Yang LiPing and the company, about the story and about how the show came to be. Especially since they had to make a special travel version of it to be able to take it on tour.

Afterwards there was a small interview with two of the dancers. That being the concubine and her emperor. It was tricky as they only spoke Chinese, the interpreter spoke decent english but heavily accented so sometimes hard to follow, and the lady doing the interview wasn’t much better in english either. So I didn’t really get a lot out of it, but it was clear to see that the guy playing the emperor was really passionate about dance and the show.

I didn’t catch their names, but I understand both of them are award winning dancers in China. That I believe right away. The performances of all four main characters were fantastic, but the losing Emperor especially stood out. His control over his body is amazing.

In the picture below, the black person in the middle is dark side of the winning emperor. On his left the advisor, the losing emperor, the concubine, the winning emperor and the narrator.

Posted in: General, Photos Tagged: Art, Culture, Dance, Groningen, Language, Music, Oosterpoort, Photos, Review

Il Barbiere di Siviglia

Wednesday, May 24, 2017 by Tse Moana Leave a Comment

Kim and I went to the opera yesterday. It was Opera Zuid again, but this time they were performing The Barber of Sevilla. I picked Kim up from work and we took a bus to the city centre. We had originally planned to eat at the newly opened La Place. Kim, however, preferred somewhere where they would bring our food. I though that was a splendid idea so we went in search for another place to eat. We picked De Kostery but it was closing, which is weird for a place that loudly displays outside that they serve dinner… We then tried Het Feithhuis. This was a long shot as it’s quite popular and generally requires a reservation. And indeed, they had no table. So we settled on the Drie Gezusters. I’d been there before, but never to eat.

They have a pretty basic, but good, menu. I’d wanted to go for steak but then I spotted Moroccan lamb stew with sweet potato and went for that. It was very tasty. It came with a wedge of water melon, which was a nice refresher at the end. The sides we’re also good: well done fries in the skin, steamed cauliflower and broccoli and some salad. I skipped that last one for I was getting quite full. For dessert I chose a wentelteefje (aka French toast) made from suikerbrood (sugar bread) with cinnamon ice cream and whipped cream. Delicious.

After dinner we made our way to the theater on foot. Joran, our friend from work was also coming with his girlfriend. We met up at the theater. It was their first time at the Schouwburg in Groningen so we showed them some of the places to sit and where to enter to get to their seats.

The opera it self was, musically speaking, very good. The orchestra (Philharmonie Zuidnederland) played very well, and the players were great. The color of voice of the woman singing Rosina (Romie Estèves) was a bit too shrill for my tastes. Technically, though, she was very good. Both Figaro (Luthando Qave) and the Count Almaviva (Juraj Holly) were fantastic.

What I liked less was the staging. Instead of taking the story and playing it as is, the directors modernised it. In was now place in a Spa in Sevilla where the people would come to enjoy luxurious excesses and vices. This had some of the ensemble performers playing sniffing coke of a hand mirror, both supplied by Figaro. Old Doctor Bartolo lives next to this spa. And the old time soldiers become a modern cross between military and private security. This leads to Rosina singing an aria in a bikini and Figaro doing modern dance moves during his.

After the show we briefly met up with Joran again to compare experiences and say goodbye. We were in no particular rush, the train was gone anyway, but they had to leave. We then grabbed a bus back to the station where we had to wait an hour for our train. Luckily the Burger King was open so we indulged in some nuggets and a hot blondie. The train showed up early so we could wait the last fifteen minutes or so in more comfort.

Picture (credit: Joost Milde/Opera Zuid) shows Almaviva on the left in his disguise as Don Alfonso, Rosina being choke held by Doctor Bartolo and Figaro trying to restrain him.

Oeh, also, I finished the shed!

Posted in: General, Photos Tagged: Culture, Drie Gezusters, Eating Out, Friends, Groningen, Home, Kim, Opera, Opera Zuid, Photos, Schouwburg, Theater

Durotan & Lothar & Rodolfo & Mimi

Saturday, June 11, 2016 by Tse Moana Leave a Comment

The Warcraft movie is finally out, so of course I immediately went to see it. I had ordered a special movie package online that has a steel case blu-ray (gets sent on release) plus a code for a free warcraft game and a code for a free movie ticket. I have my Pathé Unlimited so I gave the free ticket to Nienke and she came along.

The movie itself is good. It has some points for improvement. For example, they’re trying to show a lot and give a lot of information. For those unfamiliar with the game and its world that can cause overload. But overall it is a good fantasy movie, and a great video game movie.

Thursday was theater-day. Mom and I had tickets to go see Opera Zuid perform La Bohème. They did a straight forward adaptation, no changes to time or place. The staging was basic in structure and filled in with details to make it look real. Which worked very well. The performances were very good. I definitely want to go see this company again.

Today, Gert and I popped over to Amsterdam to see the Warcraft movie in IMAX 3D. It was great fun, but I really don’t see the added value of IMAX 3D. I had to keep my head still and in the exact same position all the time or I would see double. And everything is so blown up that every panning shot was just a blurry mess.

After the movie we had a quick fast food dinner and hopped on the train back home.

Posted in: General Tagged: Culture, Friends, Gert, Movies, Opera, Pathé, Review, Theater

Amoras

Friday, May 20, 2016 by Tse Moana Leave a Comment

Busy day, today! I’ve been reading a new comic book series the last year called Amoras. It’s a six book series that tells a Suske & Wiske story in a dystopian future. There’s time travel, crime, death, blood and a fair amount of cursing and swearing. Suffice to say, it’s definitely not meant for kids. I really like the storyline and how it looks. A while ago I saw on Facebook that the Stripmuseum (comic museum) in Groningen would show an exhibition of Amoras pieces.

Since I am now the proud owner of a museum card, I decided it was time to go see. I asked Gert if he wanted to come as well, but he declined. So, this morning I made my way to Groningen. I arrived around lunch time and felt a wee bit peckish. The Stripmuseum is located above the McDonalds. So rather than go look for a place, I just hit the Mac for a quick and easy lunch.

After, I got my ticket for the museum and started looking around. I began with the regular collection that was divided into themes. First there was a section on comic art used in music and theater posters, other promotional imagery and album covers. Then it led me chronologically through the development of comics in the Netherlands and Belgium.

Once through all that, you end up on the top floor where there’s space for the changing exhibition. Which in this case was the Amoras one. It was interesting to see the process. There were many storyboards, sketches, and line-art pieces from all six of the books. The only thing I thought was a shame was the order of display. They went mostly by sort of art, and then chronologically. So, storyboards book one, storyboards book two and so on, then sketches book one, sketches book two, rinse and repeat. I would have liked to see the order from idea to end product. So the storyboard for a page, then its sketch, the line-art, and then the coloured page. So you can really see how it changes before getting to its final point.

When I got out, I made my way to the centre of the city to meet up with Gert and see X-Men: Apocalypse. I’d heard some bad stuff about it, but I liked it. The build-up wasn’t always strong enough. I didn’t notice, for instance, that the end battle was the end battle until it was a good bit underway. And I would have liked to see a bit more detail on the origin of Apocalypse.

Then it was time for some dinner. We decided to go to the Frietwinkel. This is a fairly new place that does fries. It’s all about the organic and the fresh. They literally cut fries from fresh potatoes right there instead of using frozen pre-cut fries. And they serve fries with pulled chicken. Which is fucking delicious. The place also looks rustic nice with old stools, crates on the walls and such.

Right after that we went back to the Pathé. This time to see the Angry Birds movie. It’s not very good. The only thing I found quite funny was this one scene, a homage to the slow-down-time-in-the kitchen scene in the previous X-Men movie. And they also did a sort of homage to that scene in X-Men: Apocalypse. So that was a fun coincidence. Other than that, it’s a generic animated kids movie.

Posted in: General, Photos Tagged: Art, Books, Culture, Eating Out, Friends, Frietwinkel, Gert, McDonalds, Movies, Museum, Pathé, Review, Stripmuseum

Eurovision Song Contest 2016

Sunday, May 15, 2016 by Tse Moana Leave a Comment

I love the Eurovision Song Contest. It’s a fabulous festival of music, weirdness, and sass. Now that they split it up in three parts, it’s also two extra fun times to watch, and live tweet 😀 So here’s a recap of some highlights from this week.

First Semi Final, Tuesday, May 10

That looks like a cross between a biker and an home made astronaut 😀 not a bad song, though #Moldova #Eurovision #ESC2016

— Erik (@TseMoana) May 10, 2016

“…een soort west-vlaams maar dan in het Grieks” 😀 dit is dus waarom ik #Eurovision kijk op de Belg ipv NL (liever nog BBC, maar goed…)

— Erik (@TseMoana) May 10, 2016

That wasn’t a voice I expected. My dad says the only thing he likes is Serhat’s suit. I mostly agree 😀 #San Marino #Eurovision #ESC2016

— Erik (@TseMoana) May 10, 2016

Her appearance and the background conjure images of Maria and the Von Trapp’s #VonTrappRemix #Austria #Eurovision #ESC2016

— Erik (@TseMoana) May 10, 2016

He needs to grow into his voice. Also, there’s a fine line between flirting and staring creepily and he’s straddling it #Estonia #Eurovision

— Erik (@TseMoana) May 10, 2016

Second Semi Final, Thursday, May 12

I’m a sucker for sparkles. I wonder how dizzy those twirling ladies are 😀 I like this song #Israel #Eurovision

— Erik (@TseMoana) May 12, 2016

I am also a sucker for wolves #easytoplease I like Stripeydude and his song #Belarus #Eurovision

— Erik (@TseMoana) May 12, 2016

Suitably grand 😀 I generally like stuff like this, but it’s not quite grand and operatic enough for me #Macedonia #Eurovision #MKD

— Erik (@TseMoana) May 12, 2016

I’m very pleased they let the Ozzies in again this year, her voice is great and I like the song a lot #Australia #Eurovision

— Erik (@TseMoana) May 12, 2016

Interesting song. This might be one of those songs that I end up really liking later on. Her voice is good, though #Ukraine #Eurovision

— Erik (@TseMoana) May 12, 2016

Final, Saturday, May 14

Crazy over the top staging and outfit, but it wouldn’t be #eurovision without it 😀 I like the song; and her voice #Germany

— Erik (@TseMoana) May 14, 2016

I keep wanting to break into JLo’s “Waiting For Tonight” with this one… Competent, just nothing special #Lithuania #eurovision

— Erik (@TseMoana) May 14, 2016

The dress seems like a metaphor for the US: sports jersey and sparkle gold. #Spain #Eurovision

— Erik (@TseMoana) May 14, 2016

I want one! #EurovisionStraightjacket #eurovision

— Erik (@TseMoana) May 14, 2016

I didn’t think the televote numbers would go that high. I was sure it was gonna be #Australia but congrats to #Ukraine

— Erik (@TseMoana) May 14, 2016

Posted in: General Tagged: Culture, Eurovision Song Contest, Media, TV, Twitter

Black Grace

Monday, February 15, 2016 by Tse Moana Leave a Comment
Black Grace

Photo by the Black Grace crew from their Facebook page

Saturday I saw Black Grace perform in the Schouwburg. Black Grace is a New Zealand dance company led by Neil Ieremia. Ieremia choreographs dances inspired by and drawn upon both his Samoan heritage and the current world of New Zealand. They’re doing a tour of the Netherlands with a show called Verse 3: a collection of five short works and excerpts of various older works.

Pati Pati (2009) was the first. It’s a mix of fragments from four other works using Samoan seated dance (Sasa) and slap dancing (Fa’ataupati). It has pieces from Relentless (1998), Black Grace (1995), Fia Ola (1998) and Amata (2007). I really loved this because of the rhythm and repetition. It’s meditative.

The second was Human Language (2002), a work inspired by the body language of men and women when they start getting romantically interested in each other. It also mimics various forms of mating behaviour. It starts out, for example, by the men blowing up colourful balloons. As the girl parades in front of them they raise their heads so the balloons hang at throat level. Similar to how some birds inflate their necks to show of their vibrant neck and belly feathers. As the girl turns them down, they let go of the balloons in defeat, letting them shoot away as they deflate.

Gathering Clouds (2009) was made in answer to an article in a New Zealand newspaper. The article went on about how Pacific Island immigrants to New Zealand had the lowest education levels, were most represented in prison, most without jobs and so on, basically saying they were bad for New Zealand. This pissed Neil off so made this work to deal with his feelings and show that things aren’t  perfect, they evolve and change and unrest comes from that, and helps with that. The dance starts with strong Samoan influences, traditional dancing and traditional music and halfway through morphs into more modern dancing on a number of Goldberg Variations by Bach to show that yes, we’re all different, but we’re all also the same.

Mother Mother (2013) was choreographed on request of New Zealand group Fat Freddy’s Drop. They wrote a song called Mother Mother and wanted Neil to make a dance for the videoclip. Ieremia refused a couple times but eventually agreed. The work starts out with a lot of physical manipulation of the body culminating in the literal raising up of women as a symbol for how Mothers help their kids up.

The final piece, Minoi (1999), is traditional. It is a Samoan song which literally means to wiggle. It starts with a woman singing the song and then blends with the dancers. They appear behind her and take over the singing. Mixing it with slap dancing and turning the song into a round it becomes a mantra.

Posted in: General, Photos Tagged: Culture, Dance, Music, Photos, Review, Schouwburg, Videos

Caligula

Tuesday, December 8, 2015 by Tse Moana Leave a Comment

_vde5391Caligula is a play written by Albert Camus just before World War two. It tells the story of the cruel Roman Emperor Caligula. He loses his sister and lover Drusilla and cannot deal with this. After wandering in the fields for three days he returns with an absolutist world view. Unable to deal with the relativitiy of everything, and most notably, happiness, he enters a reign of terror.

Everything becomes literal, freedom absolute. If a man desires his neighbour’s wife, he takes her. And if the neighbour stands in the way, everything is valid to remove the neighbour as an obstacle. Caligula’s word becomes literal law, marked by randomness and terror. In between these scenes, there’s moments where Caligula speaks with his mistress or one of his advisers and we get philosophical musings about the nature of existence.

I saw it yesterday, in the Schouwburg, performed by the Toneelhuis.

Because the play was originally performed for the first time after the World War, it has generally been interpreted as indictment against abuse of power and dictatorship. With the current international climate of extremism it’s gained a new poignancy.

I enjoyed the modern touches in appearance and set-dressing. The use of movable video panels as a sort of ceiling/back panel was very effective in framing the stage. The actors were really good, in particular Kevin Janssens as Caligula.

 

Posted in: General, Photos Tagged: Culture, Photos, Review, Schouwburg, Theater, Videos

Jochem Myjer

Friday, November 20, 2015 by Tse Moana Leave a Comment

20151119_210006Showtime again 🙂 This time around it was Jochem Myjer performing his latest show at MartiniPlaza. Mom wanted to go to this so I agreed. I generally like Jochem Myjer, but sometimes it’s a bit too much for me. So I wasn’t sure what I’d think of a live show. Luckily, it turned out to be a great show. Too bad about the seats being so far away. The show sold out so fast that by the time I ordered these were one of the few still available.

The stage was empty except for this giant head. At first I was confused and thought it was former Queen Beatrix. But then the lights got better and I realised it was an oversized bust of Jochem himself. When the show started, he came out of the bust at the head.

The show itself was a mixture of his regular physical comedy but this time around interspersed with serious bits. The skeleton of the show was him reading from his hospital journal when he was being treated for a tumour in his back. From the journal he would side step to flashbacks of his youth and other bits where he could be more physical. He did imitations, sang songs, and ran around the stage.

All the while, the head was used as an almost living piece of decor. Visual effects were shown on the head and sometimes Jochem would disappear in and reappear from the head.

I really enjoyed the show. It was very nice to see him being serious occasionally, it allows a different peek into who he is.

Posted in: General, Photos Tagged: Culture, MartiniPlaza, Mom, Review, Theater

Spinning the Wheel

Friday, September 25, 2015 by Tse Moana Leave a Comment

The first cake for my birthday party tomorrow is in the oven. As good a time as any to put up a new blog post 🙂

20150924_223637Yesterday I went to the Oosterpoort for my birthday present to myself. I saw, well, listened really, to the Sinfonia Rotterdam and the Laurens Cantorij performing the Requiem of Fauré.

I’ve heard the Requiem performed before by a local amateur choir and I really liked it then. However, that time the accoustics weren’t great, and the musical accompaniment was a solo piano. When I saw this performance on the list with a full symphonic orchestra and a professional choir, I knew I wanted to go.

Before the show I attended the introduction. There, the choir conductor told us about some key pieces of the Requiem. He had brought along a part of the choir. They performed small sections, a few lines at most, to show what the conductor meant when he discussed the pieces.
When the actual concert began, they started with the Ouverture from Cosi fan tutte by Mozart. This was followed by the Suite from Midsummernightsdream by Mendelssohn. After the break it was the Requiem’s turn.

20150924_212310As I had hoped, it was spectacularly beautiful. The accoustics in the Oosterpoort are very well suited to classical music.

Earlier this week, I also bought myself another early birthday present. I’d been thrift store shopping a few weeks ago and spotted there a spinning wheel. I looked at it, but decided to leave it. I was tempted, especially considering I want to do more traditional crafting, and more re-enactment. But it wasn’t priced and that usually means expensive and I just wasn’t sure.

T20150923_150145hen Elfia happened. There, watching Margreet work her spinning wheel, I realised I really did want it. So Wednesday I went back to the thrift store and got lucky, it was still there. I got one of the sales associates to price it. She barely knew what it was, had to ask me if it was complete.

I don’t know much about spinning wheels either, but as far as I could tell, it was complete. I said so, and she priced it at € 12,50. I immediately agreed, cause that was a steal. The wood is in great condition, and once I figure out how all the loose bits attach, I’m sure it will be a working machine.

 

Posted in: General, Photos Tagged: Birthday, Crafting, Culture, Music, Oosterpoort, Photos, Shopping, Thrift Store

Amsterdam Pride

Sunday, August 2, 2015 by Tse Moana Leave a Comment

20150801_120205I spent the day in Amsterdam yesterday on the KPN boat during the Canal Parade of Amsterdam Pride. It was a fantastic experience, I’m so glad I got this opportunity to go. When I got home last night I was exhausted, but it was so, so worth it.

I drove to Amsterdam with two of my colleagues, Cindy and Thomas. All of us neatly in white pants as required by our organisers. We parked near the station and took a bus to the meet-up point. There we were given our company t-shirt and various decorations.

After waiting until everyone was there, we headed to the embarkation point. Our boat was not quite as large as I had imagined, considering we were about 60 people total. Once we were all on board, it turned out to be roomier than it looked. The boat had a middle catwalk of sorts and underneath were stored boxes of iced drinks. We each got a lunch box and after eating the boat slowly moved out.

20150801_140543We first headed for out waiting spot. There we met up with the other KPN boat. This was a boat without people but filled with screens and cameras. People from all around the world could tune in to a special website and watch the parade live from the camera’s on that boat. They could also leave video messages on the website which were played on the screens during the parade.
Then, when it was time to move out, we took our place in line and the parade started. It was immensely impressive to be there on the water and see the hundred of thousands of people on the streets and on smaller boats along the edges of the canals. All of them happy, cheering, waving. Some throwing beads (I even caught one) or flowers or shooting at us with water guns.

IMG-20150801-WA0022As part of a boat you’re expected to be lively. Each boat generally has their own DJ both to entertain, but also to keep their people motivated to move. I’ve never been much of a dancer, but I never danced this much in my live as on that boat.

The whole parade took about two hours and was, at times, risky. There’s over twenty bridges that we had to pass. None of which can be raised. And some of those are so low that we all had to drop to our knees and duck our heads to not lose our heads.

And every time we got to one of those bridges, we also had to tilt our confetti cannon. Which was a fairly unwieldy thing. I happened to be positioned near it most of the time so I would assist the boat steward with the cannon.

At the end of the parade we were at the other end of the city. While disembarking we ate some finger food that was served and had some group photos taken. After that some people remained in the city, but for us it was time to head back to the North. We took a train back to the station where the car was and headed home. We stopped in Lelystad for a quick McDonalds dinner and made it back to Groningen in a very respectable time, thanks to Thomas’ driving.

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Posted in: General, Photos Tagged: Amsterdam, Culture, Fun, Gender, Me, People, Photos, Pride, Sexuality, Work
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