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Under Siege

Wednesday, November 22, 2017 by Tse Moana Leave a Comment

It’s show time again, literally. I have two performances this week I’m attending. The first one was Under Siege by the Yang LiPing Contemporary Dance Company. It is part of the Explore Festival, wherein seven theaters in the Netherlands band together to program a few foreign shows for a small tour. The idea is to pick things form outside western society and to give us a glimpse of the (modern) art that is made there. And then specifically not in a way to exoticise it, but to break stereotypes and let us open our minds to other ways of thinking and seeing. And in that realising that within, were not that different.

On the whole I have two words for it: fucking magnificent.

The performance transcends just dance, it becomes dance theatre. Telling a coherent story in an uninterrupted hour and forty minutes adding in live music and narration. The dancers in the company come from all kinds of dance backgrounds. Some from the very traditional Beijing Opera, some from more martial arts inspired forms, some form classical ballet and some from modern contemporary dance. All these forms are used throughout the performance.

The story is that of war and conquest where one dynasty is about to be superseded by another in China two thousand years ago. There’s a group of dancers playing soldiers, two emperors, the chief advisor to one of them and the concubine of the other. Plus two musicians, the narrator and the paper cutting lady.

This lady sits at the edge of the stage during the entire show cutting things out of paper. Sometimes Chinese characters to serve as marker or narration, sometimes shapes. The narrator actually speaks. He tells us the story, in Chinese. Luckily there’s two screens to the sides that give basic translations of what he’s saying.

The flow of the story takes us from the beginnings of war all the way to end with the last man standing. We see meetings between the one emperor and his advisor, between the other emperor and the advisor, between the first emperor and his dark side. These are all striking duo dance performances, very physical towards each other.

Then there’s mass dances when battles are performed. These incorporate Kung Fu moves with a lot of jumps and kicks.

The concubine gets to do a solo piece. Taking their cue from the Beijng Operatic tradition, she is played by a man. The solo follows her from entering near naked through being dressed until fully dressed and dancing. This is a more stilted piece, but as such it has a commanding presence.

After the main battles and confrontations it is time for the climax. The stage is covered in red feathers to signify the final battlefield. A mass battle is ‘fought’ resulting in basically mass slaughter for the army of the one emperor. Knowing there is no way they’ll get out of it alive, he meets with his concubine one last time. In a moving, and haunting, performance, they say goodbye and then she kills herself. Grief stricken the emperor holds her before leaving to face his final battle.

And in that final battle, he succumbs to the other emperor, who then gets killed by his advisor. Leaving him the sole survivor and new emperor of a new dynasty.

In between all these dance pieces the narrator appears to inform us of what is going on in a flowing Chinese that varies from talking to shouting to a certain sing song quality.

The stage design was elaborate without being overbearing. On the ceiling were four large blocks holding thousands of (fake) scissors. These would move about during the show, and sometimes come down to stage level. Other than this, the background was basic. The soldiers and narrator were likewise basic. The emperors wore intricately decorated garments, but with a basic shape. The only other points of extravagance were the head pieces worn by the advisor and the other emperor, and the outfit of the other emperor during his solo.

I spent the entirety of the performance on the edge of my seat, wholly captivated by what I was seeing. I’ve been taken in by a performance before, but never in such a manner. In China, Yang LiPing is a celebrity with several theaters. This show there is done with a multitude of performers more. Maybe one day I’ll be able to see it like that.

Before the show I attended the introduction which told us a bit more about Yang LiPing and the company, about the story and about how the show came to be. Especially since they had to make a special travel version of it to be able to take it on tour.

Afterwards there was a small interview with two of the dancers. That being the concubine and her emperor. It was tricky as they only spoke Chinese, the interpreter spoke decent english but heavily accented so sometimes hard to follow, and the lady doing the interview wasn’t much better in english either. So I didn’t really get a lot out of it, but it was clear to see that the guy playing the emperor was really passionate about dance and the show.

I didn’t catch their names, but I understand both of them are award winning dancers in China. That I believe right away. The performances of all four main characters were fantastic, but the losing Emperor especially stood out. His control over his body is amazing.

In the picture below, the black person in the middle is dark side of the winning emperor. On his left the advisor, the losing emperor, the concubine, the winning emperor and the narrator.

Posted in: General, Photos Tagged: Art, Culture, Dance, Groningen, Language, Music, Oosterpoort, Photos, Review

Around the World in a Handful of Towns

Monday, April 13, 2015 by Tse Moana Leave a Comment

20150412_155757Sunday proved to be a day of moderate adventure and great fun 😀 Eva’s little boy had his birthday earlier this week, and Sunday they were celebrating.

So early in the afternoon I traveled to Groningen. I met up with Mellien on the train, which helped ease the half hour wait for the next train. We then boarded for Grijpskerk where Ingrid picked us up to drive to the farm.

20150412_155915We chatted, drank tea, ate tasty cake and gave presents. I’d bought a couple children’s books in Frisian and Gronings for him. Two for him directly, and one and a audio book first to Eva as he’s not old enough yet. Both parents and boy seemed to like it, so I call it a success 😀

They had bought a pair of young rabbits the day before, and on Sunday Eva’s brother in law was bringing two more young rabbits as a birthday present. They are very handsome, but turned out to be a weeee bit larger than expected.

Hop-hop-hynke-BFF-220x238

Hop Hop Hynke, Frisian rhymes and songs

Instead of about the same size as the others, they’re about double that. Which made the cage that was supposed to be their home for a day or two rather on the small side.

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Sikko kleedt zich aan/trekt zuk aan, about a goat who wants clothes

We left at the end of the afternoon as Ingrid, who had come from Leeuwarden, had to go back there as well. However, as saying goodbye is wont to do, it took a while before we set out. We then had the bad luck of finding the bridge open, which resulted in Mellien and I missing the train.

in nije stjer

In Nije Stjer, a Frisian tale of the Three Wise Men

After comparing options, we decided to ride with Ingrid to Buitenpost to grab the train there. This was more fun, because more time with Ingrid, and left us a half hour wait in Buitenpost as opposed to waiting an hour in Grijpskerk.

imagegen

De Bruorren Liuwehert, and audio book version of the Astrid Lindgren book by theater company Tryater

Fortunately the weather was fairly nice so the wait was easy. And once back in Groningen, I treated myself to a milkshake to pass the half hour wait there for the train home. So, quite a trip, but it was worth it!

 

Posted in: General, Photos Tagged: Animals, Birthday, Books, Dogs, Eva & Jarig, Friends, Ingrid, Language, Mellien & Bas, Photos, The Farm

[PBP] D is for Divination

Saturday, August 16, 2014 by Tse Moana Leave a Comment

Divination is a practice wherein one, through ritualistic method, tries to find meaning and gain insight to answer a question or help make sense of or deal with a situation. The name implies that the found insight is given by a a deity. However, I believe that the answers and insights found are a combination of factors. We have many layers of consciousness and are often unaware of a lot of things inside our own brain. Working with a divination method can bring things to the surface. Also, the energy with which you surround yourself influences how you see things. And beyond that, I believe the universe, or even one or more entities can push things when you’re interpreting if they feel you need to know something, or take something into account.

There are so many forms of divination, but I am mostly interested in two of them: tarot/oracle decks and runes.

Tarot and Oracle Decks

Tarot is a deck of cards with a specific set of cards divided in two subsets. The full deck consists of 78 cards of which 22 numbered ones make up the major arcana and the remaining 56, split up into four suits, are the minor arcana. There are many variants in design for a tarot deck, but all generally use the same terms and numberings. Oracle decks are similar but generally have different terms, different number of cards, different themes. The general idea in using them, though, is mainly identical to how you would use a tarot deck.

For a standard tarot deck, like the Rider-Waite version and direct spin-offs, there are standard interpretations of the cards. However, interpretation can differ from deck to deck as the individual designs evoke different feelings and insights. Plus, I’m notoriously bad at remembering the standard meanings, and don’t like to continuously consult a book or booklet. So for me, a more organic reading feels better.

Oracle decks are generally already built for a more organic reading, and I think that’s why I like them. There is no implied ‘right’ way to read a card. Plus since they lack the constraint of the standardized tarot deck, they can be in literally any theme you can think of.

The use of a deck is also varied. You can pull a single card from the deck as a card-of-the-day type thing or have an elaborate layout to answer questions or process complicated situations. I prefer simple spreads because I like to ponder over the result and extrapolate from there. So card-of-the-day things, or maybe a basic three card spread in a past-present-future setup. There, the first card details what came before the current situation, the second indicates what’s up at the moment, and the third card gives insight in what might happen.

It’s important to have clear, before you start a spread, what the function of each place in the layout is. If you use the aforementioned three-card one, you need to narrow down what exactly you need it to show. Because ‘the past’ and ‘the future’ are too broad. If, for example, you feel stressed out at work, you can define the past-card as ‘what is the root cause of the stress’, the present-card as ‘what is currently the main thing keeping me stressed’ and then define the future-card as ‘what do I need to focus on to get past the stress’ . While not strictly foretelling a future here, it can give you insight into what to do in the future to help your current situation. Extrapolating, you can build a spread to suit your question or situation.

As such, tarot isn’t so much ‘telling the future’ as it is a tool to help you understand yourself, your situation, your life.

I’m a very minor collector of decks. I don’t have as many as I would like, but good decks can be pricey. I started out with a regular Rider-Waite deck, bought in my teens during my first steps on the pagan road. For years that was the only deck I had. I used it occasionally. It’s only been the last year or two that I’ve gotten more interested, even though I still don’t read as much as I’d like. But step by step we also get where we go. I have in that last two years acquired more decks, and it’s fun to see that each has its own vibe and different decks fit different moments, questions or feelings.

I’m currently eyeing this oracle deck. I bought her tarot deck in the same style in her previous kickstarter and it is fabulous.

Runes

Runes fascinate me because they are also an alphabet. And languages in all their forms are like magic unto itself to me. Plus, they have this long history, which is another passion of mine. Runes were in use among Germanic tribes in the first couple centuries of the common era and evolved in form. In Scandinavia the Elder Futhark was simplified into the Younger Futhark with less characters, while Frisians and Anglo-Saxons did the opposite: they created the Futhorc which had more characters.

Every rune isn’t just a letter, it is also a word. And from and through that, it derived meaning. The runes were used as signs and charms, ascribed magic powers they got imbued with it. They were also used for divination by throwing them on a piece of white cloth and then taking a number of them and interpreting their meanings together.

As such, they are still used today. However, since very little is known about how the divination was done exactly, there are different interpretations on how to do this. Some people use runes in a way that is similar to tarot/oracle decks in that they use spreads and layouts where runes are placed as they are drawn and then interpreted according to the layout. I, however, prefer to use casting whereby I throw the lot of them on a cloth.

I then take the ones that fell blind (since the rune is only on one side) out, as they don’t count for that casting. I also take apart the ones that fell outside the cloth, or the shape that I’m using. Depending on the question, these runes either get interpreted as being outside influences, or also get discarded. The remaining, open, runes get interpreted together.

A quicker method, for a simple draw if you have little time or a simpler question is to cast your runes as above. Discard the blind ones and the ones outside the perimeter and then grab three at random from the remaining open ones to interpret. You can also use a daily rune draw as a motivator or power word for the day.

If you want a middle ground between casting and spreads, you can construct a pattern with different areas and then cast the runes on to that. This allows you to interpret groups of runes together, as they apply to the area they fall in.

 

In the end, for both systems, it’s important to do what feels right for you. Only you can tell what does and does not work for you.

Posted in: General, Pagan Blog Project Tagged: Communication, Future, History, Journey, Kickstarter, Language, Me, Mindfulness, Pagan Blog Project, Paganism, Self-Discovery, Spirituality, Thoughts

Off to the Theater: C3

Friday, April 20, 2012 by Tse Moana 1 Comment

A few weeks ago Mom saw a review in the paper of a show by C3, called ‘Wil je in ons groepje?’ (Do you wanna be in our group). She mentioned it to me and indicated she’d like to see it. They were doing one show near here, and that was exactly on her birthday. So I asked her, for confirmation, if she wanted to go, and got us tickets.

Since I did have to work before hand, and the show didn’t start until 20:15, we decided to go out to eat as well. For ease, we decided upon the restaurant at the theater.

So, last night was the night. Mom picked me up at work, and we drove the short distance to the Oosterpoort theater. After parking we headed inside. We were a bit early for our reservation, but we could get seated early. After getting drinks served, the waiter discussed the menu with us. Because Cristina Branco was also performing at the Oosterpoort yesterday, they were having a Portuguese menu and were there any dietary things we needed. We both let him know that the starter, a fish soup, was not something we would like. Fortunately, the vegetarian option sounded great so we opted for that.

Shortly after, the starter was served, a truly delicious courgette soup with cheese and cream.  The main course was a skewer with chicken, beef and pork served with roasted veggies, skin-baked potato and salad (nom nom nom!). While we were eating, I decided to check our tickets to see which of the halls we had to be. That’s when I realised something. We were in the wrong theater…

Instead of the show being at the Oosterpoort, it was at the Stadschouwburg, the theater they’re connected with. We had a good laugh about it, what else can you do. I’d had the tickets for a few weeks already but never really bothered to read them properly, and we’d only seen mentions of Oosterpoort near the review so we totally missed it.

Fortunately our dessert (melon slices with orange flavoured ice cream and a vanilla pastry with cream) arrived shortly so that, combined with our arriving early to begin with, gave  us enough time to walk to the Stadschouwburg. We arrived there with about twenty minutes to spare. Had we been on time for dinner, we’d have been late for the show 😀

The show itself was quite good. C3  is a a cabaret/comedy group consisting of Mike BoddĂ©, Onno Innemee and, this theater season, Jelka van Houten. They sang songs, some more comedic in nature, some more serious. It started off with Jelka singing a love song about New York. Not because New York is that great, but because the person she loves comes from New York. Onno sang a great comedic ‘cuntry’ song about being a cowboy. Halfway through the song it became clear through the lyrics that instead of being a real cowboy singing, it was a boy singing about playing cowboy and the patrons of the local cafe getting quite sick of his repeated Hyippi-ya-yays.

Mike played the piano throughout the evening (he is absolutely great at that) to accompany the songs. At some point Jelka sang a lovely song about not being able to sleep and begging Mr. Goldberg to help her. This led to Mike explaining to her the story behind it, and how it had led to this beautiful piece of music, the Goldberg Variations. In short: there was this count who had trouble sleeping so he went to Johann Sebastian Bach and asked him to compose him some music that he could have played by his court harpsichord (klavecimbel) player, Mr. Goldberg.

Mike then elaborated that the Goldberg Variations are basically the hardest thing to play for a pianist, and that he could not play it all. However, he knew the basic chord structure, so he could make his own Variations. Which he then did: Goldberg Ă  la blues, Goldberg Ă  la Mozart, Goldberg Ă  la Chopin… It was very awesome.

He also dit a dramatic reading about a nice smelling man in a language built of archaic words, screwed around current words and screwed around translations of english words. The way in which he read this (as if he were preaching) and the speed with which he could speak all those out of the ordinary words is a total turn-on for me (I looooove words and language).

Too bad there’s no videos of this, or his Goldberg Variations online, even to just show a hint. Mike BoddĂ© is brilliant with a piano and words.

There were also sketches. This was for me a much more mixed bag. I did not much care for most of them. I just found them unfunny and I had trouble finding the through line of the show and I do like me a through line. Random assortments of things without a discernible connection throw me off, especially when a show’s description makes me believe there is supposed to be a through line.

After the show, we quickly headed back to the car and went home for today was an early start. We had a great night.

 

Posted in: General Tagged: Birthday, Eating Out, Food, Language, Mom, Music, Muze, Oosterpoort, Parents, Review, Schouwburg, Theater

Assuming TV follows reality…

Wednesday, February 8, 2012 by Tse Moana Leave a Comment

…the American school system is really weird.

I just watched Glee 3.12 The Spanish teacher, and in it, Mr. Schuester gets scolded by Principal Figgins for not being a good enough Spanish teacher.  So Will decides to go to night school to improve his Spanish, and once there, he can barely follow the native Spanish speaker teaching the class. How then is it at all possible that the school even hired him? How the hell can you justify hiring someone who barely speaks a language to teach that same language.

Now, I live in a country where you don’t get to teach high school unless you have, at the very least, a Bachelor’s degree in whatever subject it is you’re teaching. You don’t get into a teaching position just because it’s the only one available. And you sure as hell don’t get to switch from the one subject you’re not qualified to teach to another one that you’re also not qualified to teach.

I can overlook a lot of stupid things Glee does, but this… And the worst part is, I’m not even sure if this is purely a TV high school thing or actually happens in real life on the other side of the ocean. However, considering the amount of flak the school system is getting over there, I wouldn’t at all be surprised if this actually happens.

 

Posted in: General Tagged: Boggles the Mind, Culture, Education, Fandom, Glee, Language, Other Countries, TV

Subtitles

Monday, April 18, 2011 by Tse Moana Leave a Comment

Watching an episode of CSI now, and over here in the Netherlands, foreign shows are subtitled. And the person who subtitled this episode is really good. I often complain about subtitling and how they botch jokes, innuendo, double entendres and so on. But this was a very good re-write in Dutch of a joke.

Scene: Two pathologists are talking about closed room murders, which turns into closed room jokes. Eventually, the following dialogue happens (slightly paraphrased):

Doc 1: You’re in a closed room with a table and a saw, but no doors and no windows. How do you get out?
Doc 2: I don’t know.
Doc 1: You cut the table in half. Two halves make a…?
Doc 2: …hole.

After this the scene went on to discuss how the murderer must have found some way to create or find some kind of  ‘hole’ to get in and out.

The subtitle then went like this:

Doc 1: Je bent in een kamer met een vrouw, geen deuren en geen ramen. Hoe kom je eruit?
Doc 2: Ik weet het niet.
Doc 1: Negen maanden wachten en…
Doc 2: …ontsluiting.

Literally:

Doc 1: You’re in a room with a woman, no windows, no doors. How you get out?
Doc 2: I don’t know.
Doc 1: Wait nine months and then…
Doc 2: …dilation.

Very clever way to get to the same point (a hole) without losing the joke (since the two halves don’t make a ‘hole’ in Dutch). Kudos!

Posted in: General Tagged: Language, Random, Thoughts, TV

Around the Internets II

Tuesday, November 23, 2010 by Tse Moana Leave a Comment

If you need to vehemently protest something, press the Nooooooooo Button.

Twenty obsolete English words that should make a come back. I’m especially fond of  Widdendream (Noun – “A state of mental disturbance or confusion”) and Brabble (Verb – “To quarrel about trifles; esp. to quarrel noisily, brawl, squabble”).

Ancient Amazonian Tribes (and current ones too) practice multiple paternity, a system where all the men who sleep with a woman are seen as the fathers to her children. This partly because each of the men was believed to be each child’s biological father, and partly because it provides a safety net if one or more of the parents were to die: there’s always someone around the kids can turn to. Check io9 for an article about the research.

The Brits have founded a new sport/game: The Lying Down Game.  Described by their creators as Parkour for those who can’t be arsed, it’s main purpose is to lie down in public places (see also the Facebook Group for more pictures). There’s really just two rules: 1) The more public the better &  2) The more people involved the better. Please be aware that the palms of your hands must be flat against your side and the tips of your toes pointing at the ground. Just as if you were standing, but vertically challenged. FACE DOWN!

Five Books is a website where every day a writer, thinker, politician, academic or what have you shares five non-fiction books on their specialist topic. The choices are such that, if you were to read all of the five books (or even just one) you get a good introduction into whatever the topic happens to be. Be an instant expert, as the website’s tagline says 😀

 

 

Posted in: General Tagged: Anthropology, Books, Family, Games, Internet, Language, Link Dump, Webfun

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