Bananaaaaaaaaaa! Thursday I went to see the Minions movie with Ingrid and Nienke. I love Minions đ And to keep in the spirit of things I had a kid’s snack pack to go with it. Tiny packet of popcorn, tiny packet of candy, a capri sun and a tiny toy.
Friday, Gert and I went to the Oosterpoort. A little while ago Gert showed me an announcement for a free concert at the Oosterpoort. It was a graduation performance for the National Master Orchestra Conducting. The two people graduating each conducted two classical pieces played by the North Netherlands Orchestra.
The first candidate was Huba HollĂłköi and he conducted Bela Bartok’s first violin concerto and Tchaikovsky’s Romeo & Juliet fantasy overture. Then, after the break, Konradin Herzog conducted Dutilleux’s Sur le mĂȘme accord for solo violin and orchestra and Schumann’s Symphony no. 4.
The pieces were really good, but I preferred the works chosen by Herzog.
Yay, my Oosterpoort & Schouwburg theatre tickets for the coming season have arrived! I have eight shows in the Oosterpoort and the Schouwburg to go to, and then there’s also two shows in MartiniPlaza this year.
I loved the movie, and was so touched by, especially, the ending that I cried. I can’t quite put my finger on it why, though. So I’ve spent the past few days thinking about it, but I still can’t place it.
Besides that, she works at the farm, and has school, which is rather far away. Suffice it to say, her days are full, and there’s always something she has to do.
We get snapshots of Paula translating for her parents at the doctor’s office, and working the cheese stand at the market where her parents can’t hear a customer’s questions.
As the movie is billed (at least partially) as a comedy, these situations are extrapolated and magnified for comedic effect. The doctor’s visit has Paula having to tell her parents they can’t have sex for three weeks to allow her mother’s infection to heal. The cheese stand scene sees Paula quip that it’s the division of work: her mother smiles, she talks.
I can imagine these situations can come across as insulting to Deaf people, but I feel they are justified here based on the point of view. It is Paula that we follow, and Paula who is often exasperated by her family’s antics, as teenagers generally are. She doesn’t always want to be the one that has to do this or do that, she wants to do her own things, grow up some. And her parents like to keep their little family as is, safe and home.
At school, it’s time for the students to pick their extracurricular activity. Paula and her best friend Mathilde are waiting in line when they see Gabriel, the boy Paula is crushing on. He’s from Paris and seems to be the odd duck at school. When he picks choir as his activity, Paula promptly follows suit.
During choir practice, the teacher makes them sing songs by Michel Sardou, a French singer-songwriter who’s been singing for about 50 years. He’s not very popular with the younger generation, but a bit of a legend among older ones for his work in the 70s. Reading his Wikipedia page, I’m getting a bit of a Boudewijn de Groot vibe for that period.
The Parisian, as the boy is referred to, has a good voice, so he gets to sing a solo at the end of year recital. During practice, however, it turns out that Paula, normally fairly soft spoken, has a really good voice.
The teacher turns the Parisian’s solo into a duet with Paula. They agree to practice at her house, which results in a (for Paula) embarassing scene involving herself, the boy and her parents. Mortified she decides to keep her involvement with choir a secret from her parents.
The teacher also tells her about a singing competition in Paris. The winner gets to attend a school for talented singers, in Paris. He wants her to enter, and Paula wants to, as well. To get her ready, she practices at her teacher’s house every evening singing Je Vole, also by Michel Sardou. Je Vole is a song wherein a teenager tells his parents that he is about to leave. It’s not fleeing, it’s flying away, without substances, without other influences, the teenager chooses his own path and he begs his parents to accept this.
So between all her other duties, she now has to practice her singing both solo and the duet. And then, to make matters worse, her father decides to run for mayor. Leading to Paula being needed even more to translate.
When she finally does tell her parents she’s singing in the choir, she is met with resistance and a fight. Paula’s desire to follow her own dreams clashes with her mother’s fear of losing her. A fear she’s had ever since she learned that Paula could hear.
Her parents come to the recital at school and during the choir performance you can see they don’t really get it. Why would they, they’re all born deaf, they never heard music. They’ll be able to feel vibration, but they can’t feel that from a choir sitting in the audience.
So they look around a lot, talk to each other and keep busy while they wait for the rest to applaud to signify the singing is over.
Then, Paula and Gabriel sing their duet. As they start to hit the chorus, the sound fades and it remains silent for the rest of the song. A very powerful method to give some sort of clue to the hearing part of the audience as to how her parents and brother are experiencing it. They can, of course never fully replicate it, as hearing people will remember how music sounds, but it does make you realise how weird it must be for them to see her enjoy something they can never fully participate in.
It’s a chasm between them and it scares her mother more. Her father seems more understanding and later, when they’re back home, he asks her to sing for him as he places his hand on her throat. She sings for him, and he seems to see her passion, but ultimately can’t experience it in the same way.
Paula, who had decided against leaving her family, changes her mind at the last minute and her parents ultimately support her. They drive her to Paris and she makes the audition just in time. Her parents sit in the room to watch as Paula starts to sing. Even though they might be able to read lips (they don’t really do so during the movie) they still don’t fully understand. But then, as she starts the verse, she starts to sign along.
The lyrics are adapted slightly to better fit the actual story in the movie. And she sings about her mother’s sad face and her father’s smile and how she loves them, but she has to go and fly. It’s not a running away, but she is leaving, and they will no longer have a child. With the help of the signing, her parents finally understand, and accept.
There are some other story lines that are partly shown but get no neat endings, like her father’s mayoral candidature or her brother’s interest in Mathilde, just as life itself keeps going for others when you go a different direction.
If you can, watch this movie. It’s funny, entertaining, and deeply moving. The actress playing Paula, Louane, is also a singer (she was in the French version of The Voice) and the song is available on her album on Spotify. I’ve been listening to it non-stop since I saw the movie.
I couldn’t find a Dutch or English subbed version, so this German one will have to do đ
Wednesday, Mom and I went to the Schouwburg to see Sara Kroos play her latest show “Van Jewelste”. Sara Kroos is someone I’ve seen on TV and always liked, she’s spontaneous but does always seem to make a point. So when Mom suggested we go see her back when I was deciding which shows to go to, I happily agreed,
As it begins, Sara enters the stage and starts telling about her life, obviously fictionalized or embellished in places, but I believe it has a significant core of truth in it. She tells us how her parents showed up at her door to tell her that they had bought the house next door, isn’t that fun! From there she slips in a flashback to an earlier moment where her mother embarrassed her, and from there on to another story and so on. She occasionally comes back to the present day situation, but other than that she jumps back and forth through time in a period of about four or so years.
The stories are hilarious and the jokes she makes are very funny. She’s good at improv so she reacts very well with what the audience is saying. Particularly a gentleman who, at a slightly risque joke made an oh-oh-ho kinda sound. She jumped on that and warned us, with a great smile, that if we thought that was much, we’d better not listen to the rest. And true to her word, that wasn’t the most risque joke by a long shot đ
In between stories she sits down at the piano and sings a song. And the songs are the counterweights to all the laughter of the stories. They are calmer, and more serious and light the other side of parents and different generations and time, which are the main themes of the show. And by combining these elements, she really drives the point that time goes ever on.
Especially since I’m of a similar age as she is, and my parents are of a similar age as hers are, a lot of the things she said, and sang, hit home. You reach this point in your life where you’re in the middle. Your parents are still young and healthy enough to have a life of their own, you have your live (generally busy) and your children are doing their thing. And you look around and you kinda want to freeze the moment and keep it like this forever. Because it’s never going to be as good as it is now.
With time, there will come a day when you no longer think “oh, at least they’re still healthy” but it shifts to “at least they’re still here” and then they’re not. And you shift from annoyance and embarrasment at what your parents do to endearment at what they do, the older they get. And the same with children; who grow up and become more independent and eventually move out. And through all that, you need to realise that things always change, there will always be new moments that are good, or awesome, or fantastic, or even just sorta okay, but even the most awesomest thing is an individual thing. And as such, nothing is ever going to be as good as it was right at the moment you experienced it.
So yeah, many feels. And I was really happy I got to see this show with Mom.
Afterwards, Sara sold CDs with the songs from the show from the stage and would sign them, so Mom and I made our way there and each bought a copy.
This was a looong week. I had the Monday off, which was nice seeing as how I’d been away all weekend, but from Tuesday on I’ve had a stretch of five days in a row with work and appointments, and I have tentatively agreed to work an hour or three tomorrow as well to cover for Nienke as she’s still sick. I’ll make the final decision on that when it’s actually tomorrow and there’s daylight. It is kinda tempting though, as Sunday work is 200%.
To celebrate the end of the official work week Kim came by tonight for chats, some Buffy watching, and the drinking of light booze (I really like red Jillz :D).
Tomorrow I’ve also planned to finish the music swap for my pen pal club. I have the music selected, I just have to get it on the, very appropriately shaped, USB drive and write the accompanying letter detailing why I chose these songs. I received the swap for me this week, but haven’t had time to listen to it yet, so I have left it closed. I don’t want to let it influence me too much in writing my own.
I backed an interesting IndieGoGo campaign this week, also. It’s called Con Man, and its a comedic web series written and developed by Alan Tudyk and Nathan Fillion. The basic premise is that Alan and Nathan play two actors who used to be in a scifi tv series, Spectrum, together. The series was canceled early, but was a cult success. After, Nathan’s character became a succesful moviestar, while Alan’s character didn’t and now traverses the Con circuit doing panels and signings and of course weird shit happens because Cons.
It is definitely based on reality somewhat, as the parallels with Firefly are obvious. Nathan and Alan’s characters even played the same parts in Spectrum as they did on Firefly (captain and pilot).
The campaign hit its goal of $425.000 within 24 hours and now, about three days in (it runs until April 10), they are on $1.750.000. It’s going to be huge and fantastic and I can’t wait for it to be ready.
Next week promises to be fun! Wednesday I’m going to see Kingsman: The Secret Service with Gert. Since Kingsman is shown so late, we’re doing a double feature and seeing Cinderella before. And then on Thursday it’s time to see Insurgent with Kim, I’m looking forward to that very much. I am really curious how the movie’s gonna be and if it lives up to and matches the book.
Oh, the teenage memories tonight! I went to see the Backstreet Boys documentary “Show ’em What You’re Made Of” with Ingrid and Nienke tonight. It was shown in cinemas all over Europe at the same time, and then afterwards there would be a small concert of the Boys shown live. I was a pretty big fan of them during their first three or so albums, in my early teens. I can still sing along to most of the songs if I hear them.
I was over at Ingrid’s earlier this week to have dinner and we got to talking about movies, as we still need to go see one with the three of us for her birthday. We did see Begin Again, but we couldn’t make Step Up 5 work with all three of our schedules and the times it was shown. While doing that, we noticed the Backstreet Boys film in the line up for tonight and we were both interested.
Once home, I showed Nienke, but she wasn’t really interested, so Ingrid and I decided to go with the two of us. I reserved us two tickets, which was a smart move as there were few seats left. Â Since we had some time between the start of the show and when I was off work, we figured we go to eat someplace. As Nienke was also in the city in the afternoon, we agreed to eat together.
We settled on old favourite Pappa Joe and I met up with Ingrid, Nienke and a surprise Marleen with whom she had been out and about. We had a good time, but then we had to leave to make the movie in time. Marleen had to go the other way, so Nienke walked us to the cinema.
There, she changed her mind and decided that if the seat next to us was still free (we had near edge seats and the single one beside us was still free when I made the reservations), she would also go. We headed for the info desk, as we couldn’t get the single seat from the machine, and fortunately it was still available!
The documentary was fun, it showed the 20 year history of the band and followed them while they were making their last album and world tour, showing both the fun times and the struggles. Nothing earth shattering, but a glorious view back in time to my teenage years, and a glimpse into the lives they had and have now as people, and not just Backstreet Boys.
Afterwards, it switched to London, if I remember correctly, where the Boys were present for the European premiere of the movie and where they would do a short a cappella concert. They sang about seven or so songs, both old favourites as well as things from their last album. They still sound really good, although their voices have changed some as they have grown older which sounded a little bit strange sometimes especially with the older songs where certain parts are so ingrained in memory.
Yesterday I went to see Claron McFadden perform her musical theater piece Lilith. It was shown in the Grand Theatre, which was fun as I had never been there. I had to work before hand, but had some time in between work and the show since it didn’t start until 20:30. So, I met up with Gert and we had dinner at Pappa Joe’s after which we walked in the direction of the theater before going our separate ways.
The Grand Theatre is smaller than I imagined it would be, and also in a shabbier state. It does have a nice atmosphere, though.
The show itself is a two player piece done by McFadden (in the flesh) and Jeroen Willems (on projected video) about the biblical Lilith. In Jewish folklore, she became the first wife of Adam, created at the same time as him, who later left him (as she would not be submissive to him) for the archangel Samael.
In the piece, we meet Lilith in a mostly modern-day setting. She and Adam have separated long ago and she tells us, in speech and in song, of her life both back then, with Adam, and her life after. This is interspersed with Adam, shown on a screen, in a talking-head interview style, who also speaks of Lilith and their life back then, and his current life with Eve and the kids.
Adam seems to have never quite gotten over Lilith, but also cannot live with her free spirit. Lilith struggles. She loved Adam, but she is a free spirit, her own woman, equal to him. As they both speak, and sing, we get occasional flashbacks where the projection changes to a top down view of a bed with Adam in it. McFadden then stands in front of the screen to play her part as if in bed with him while they talk, and argue.
As time went on, and Adam started being weirded out by her passion for life in all its facets and her willingness to embrace it. He becomes more restrictive, and wants her to obey and submit to him, culminating in an incredibly powerful rape scene performed by McFadden in front of the screen.
After this, Lilith left Adam, and ended up with Samael. But over the years, this has not made her happier. The same goes for Adam, he married Eve, had children, but he misses the life that Lilith brought. In the end, both can’t live with, or without each other.
I really enjoyed the show, it was something I hadn’t seen before. I chose the piece because I was intrigued by its description, not only of the story, but also of the fact that Willems’ part was on screen only. I also read he died shortly after the show premiered a few years ago, so I thought that might be the reason, but it was really done because it fits the piece much better. It leaves the focus solely on Lilith, which she deserves.
I am impressed McFadden is able to play with a video projection so well, even though she’s had years of practice with it by now. It must be tough, playing with someone you know isn’t there anymore.
The music wasn’t quite what I was expecting. I had read up on McFadden and knew she was a trained soprano, so I was expecting more classic like music. Instead it is much jazzier and much more down to earth. It takes some getting used to in the beginning, but then you realise it fits the story perfectly.
After Christmas dinner it was time for prezzies. First we exchanged gifts with my parents, and after they left, Nienke and I continued the unwrapping party with our gifts for each other.
We’d already given each other one of the prezzies the day before, but now it was time for the rest. We usually set a budget, and always go over, but I think we never went quite as far over as we did this year đ
Mom and Dad gave me the CD with the soundtrack of Guardians of the Galaxy. A definite hit as the songs keep getting stuck in my head đ I got Mom a bath set with lotion and fluffy things, and for Dad dried meat sausages, he always likes a good sausage.
Nienke gave me awesome things! Starfleet Academy and Medical Academy buttons, a necklace of the Elven brooch given to the Hobbits, a colouring book and a cute story book, a letter E, and the best thing ever: a USS Voyager model kit. I’ll have to order paint first, but I can’t wait to build it.
I got Nienke a Comic Con Exclusive Buffy Pop Vinyl, the eleventh Doctor’s sonic screwdriver, a 1:64 model of the Impala from Supernatural along with a replica of Dean’s necklace that Sammy gave him, blue fuzzy gloves, a guitar stand and the unicorn plush from Despicable Me. The cats each got a toy, as well.
Then tonight Kim came by to watch the Olivier B. Bommel movie Als je begrijpt wat ik bedoel and then we saw Flushed Away before also exchanging gifts.
I’d gotten both Nienke and Kim a chocolate bar, and gave Kim a set of mugs with owls on it, as well as a bracelet with a Mockingjay pin. I’d also gotten some toys and candies for her cats. She got me chocolate, fudge and a Pop Vinyl of Invisible Bilbo!
Guardians of the Galaxy soundtrack, true to its name
Starfleet Academy departmental buttons, Starfleet Medical Academy button and a Star Trek general button
Saw Mockingjay (part 1) tonight with Kim. I was very curious to see how they would continue and especially how they would split it. The first two parts were really good, so I was hoping they would continue that trend. And they did.
It’s a really good film. A comfortable pacing keeping the action happening while making time for emotional gut-punch moments so you actually get to experience the feels and not rush through them. I think they made a good choice where to make the cut and end this part. This way parts 1 and 2 aren’t just one film that just happens to be in two parts, but each have a different all-over theme.
They also made a really good rendition of the Hanging Tree song, which is very nicely sung by Jennifer Lawrence. It becomes a tune that sticks in your head.
We stopped at Starbucks on the way back since I’d seen the sign announcing the return of the Christmas flavours the other day and I love honey almond hot chocolate. It’s like drinking a liquid marzipan bar, one of those with a thin layer of chocolate around them.
I went to see Waylon perform at the Oosterpoort yesterday with Kim and Ingrid.
We met up at Mr. Mofongo’s to have dinner first. I had this awesome beef tenderloin with roasted vegetables (red onion, paprika) and chorizo, on a bed of seasonal vegetables (haricots, parsnip, yellow beet, red beet puree, pumpkin and roasted chestnut) with baked potatoes and orange mayonnaise. It was absolutely delicious!
We then headed for the Oosterpoort and, once there, found ourselves some good seats. Most people were seating themselves near the stage or standing in front, but we went for a little further away and up. Since he was playing the small room, this was still close enough to see everything, and by sitting a bit higher up, we could see over the rest.
The concert itself started a little after eight and for the next three! hours, no break, Waylon sang, and talked, and it was fantastic. He played songs from his newest album, songs from his previous album and even a Common Linnets song. I was a bit disappointed, though, with that one specifically. It is an emotional song, and one of my personal favourites. He did most of the song very well but decided to mess up the last few lines, in an attempt to be funny, which so didn’t work for me. Besides this minor thing, I loved the rest. I definitely recommend going to see him if you can.