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TV

Glee 1.04 Preggers

Sunday, November 7, 2010 by Tse Moana Leave a Comment

First and foremost, I LOVE LOVE LOVE Kurt and his Single Ladies dance. I can watch that sequence on repeat forever Emoticon met brede lach

Kurt’s dad, in one scene being sketched as the quintessential ‘man’ (watching Deadliest Catch, all about sports, the lumberjack shirt, dirt bikes etc…).

Terri gets herself even further into the pregnancy mess when she tells Kendra and Kendra convinces her not to tell. Stupid Kendra.

Sue gets her TV show. Slightly unbelievable, but adds another fun layer to Sue. Also, she keeps calling Emma by the wrong names, Irma last episode, Alma this time.

Rachel is appalled, Tina is getting the solo. Rachel goes on a rant how she ‘made it clear that anything West Side Story goes to me’ and that ‘Tina knows how much I respect her but…’ Tina’s eye roll look says enough, no way in hell does she believe that even for a second.

Schue keeps his decision though, Tina gets the part. Too bad they make Tina fail at it Bedroefde emoticon

Kurt comes to ask Finn something, all smiles. By now his coming out to Mercedes has made the rounds, obviously, even though Kurt himself is still not saying anything. Finn, self centered as he is, immediately assumes it’s about him and says he already has a date to the prom, but that he’s flattered and that he knows how important dances are to teen gays…

Kurt is flabbergasted at first, then shocked and denies being gay. He just wants a favour. And that’s an introduction to the football team. Finn agrees, because, as he says, the more Glee and Football mingle, the easier his life becomes. He protests when Kurt wants to use his music, but Kurt holds to it, he needs a proper warm up.

Kurt comes up to ‘audition’ for the ‘role’ of kicker. The team laughs at him as he performs the Single Ladies dance to warm up. And then gives the ball a massive kick and scores. Tanaka immediately welcomes him to the team. His mind is on a single goal, he doesn’t care how or what, Kurt can wear a tutu if he wants, as long as he scores like that in the game, none of it matters.

Sue gets another bit of ammunition to undermine Glee club. Her TV station boss expresses his concern about top cheerleaders defecting to Glee. Sue needs to win Nationals.

Quinn drops a bombshell on Finn, she’s pregnant. The moment Finn hears that word, his first thought is if it is his, and then how? He and Quinn never had sex… Quinn reminds him of last month when they were in the hot tub together. While kissing, Finn’s usual method to stop from coming failed. “But we were wearing our swim suits!?” he says. Quinn replies that a hot tub is the perfect temperature for sperm…

This is the ultimate confirmation of the stupidity that is Finn. We now know Quinn isn’t being completely truthful but Finn has no clue whatsoever.

Both of them are more focused on what the effect is going to be on their own particular situation. This isn’t all that weird, they are teenagers after all, but it hits much harder for Quinn. She is the one who actually carries the child and will bear the brunt of the attention and prejudice and stereotyping and all that. It will set her back in her goal to get out of this town, she knows this, shows it by literally saying it: “I really thought I had a shot at getting out of here.” Since she is planning on keeping the baby, this will effectively anchor her down.

Sandy remains creepy, creepy, creepy. I really don’t like him.

Sandy sets up auditions, specifically so Rachel will audition and they can get her out of Glee. Rachel sings Taking Chances (and she rocks that song!) and of course gets chosen.

Schue and Rachel then have a very nice dialogue going on. Rachel actually shows some awareness of how she is seen by others, and admits that this is correct. However, she wants Schue to judge her not on her character but on her talent since “it sounds awful, but I’m the best one in there.”

While she is indeed a very good singer, the others aren’t bad either, and some (Kurt) easily outsing her. Will agrees, however, and tells her so. With Rachel pulling all the weight, the others slack off and they can’t win Regionals like that, Will says, and he has no choice but to give others solos as well so they can all feel like a star…

Really, Will, you’ve made questionable choices before, but you’ve not been that much of an outright jerk before. Completely ignoring the talents he has, he only ever really has eyes for two people: Rachel and Finn.

Rachel doesn’t accept that though, she wants the solo, only her pains matter, only her being bullied matters. It doesn’t occur to her that maybe the others are indeed being pulled out of their shells, but it doesn’t necessarily lessen what they’re going through.

During rehearsal, Tina fails the song (which is really lame, btw, she could’ve easily done it) and takes one for the team when she tells Schue to give the song to Rachel.

Finn seeks out his replacement father figure/older copy of himself in his time of need. Finn speaks out what I wrote above, he’s seen the guys around town who had kids in High School, they’re still here, working menial jobs and just barely getting by. He doesn’t want to be that guy, he needs a scholarship so he can go to college (note how it’s all about him, not a word about how Quinn will get just as stuck). But to get a scholarship, the Football team needs to start winning. Bottom line, he wants Schue to teach the Football team some moves.

Finn is and Idiot. He apparently never has, in his whole 16 years of life, been to a library, or even fucking heard of what a library is… And he wants to go to college…

Kurt is being all cool against the lockers and delivers the punch line that silences Puck Emoticon met brede lach

And woohoo! Teaching the guys the Single Ladies dance. *radiates Kurt love*

Puck finds out Quinn is pregnant and confronts her. And then it comes out, Finn isn’t the father, Puck is. Puck is angry that she didn’t tell him. “My dad’s a deadbeat, but I don’t roll that way!” Quinn tells him she had sex with him because he got her drunk and she felt fat, but it was a mistake and she doesn’t want anything to do with him. Quinn’s responsible though, she doesn’t accuse Puck but acknowledges her own choice in the matter (I had sex with you…).

Terri ambushes Quinn, since she heard from Will about the pregnancy she has realised that this is her chance to get out of the mess she’s in.

Yay! Game time! The team protests about doing the dance routine for real. Kurt sends Finn an imploring look, but he ignores it. Inside he agrees with the team. The game starts and the McKinley Football Team sucks.

Kurt waves at his dad as he climbs the stands, yelling “I told you, I told you”. It’s easy to see Burt’s embarrassment at this as he discreetly waves Kurt down. Finn finally talks Puck into trying it and it works, Puck scores after surprising the opponents by dancing the routine. Kurt then gets to kick and scores. As he is hoisted up he waves at Burt, and Burt is so ecstatic he almost drags the two guys in front of him from the benches as he pulls at their shoulders in happiness.

Then we come to the best coming out to a parent scene I’ve ever seen. Kurt’s in his room cleaning up and working one of his beauty routines when Burt comes down. Kurt has realised, through Glee and Football, that he can be anything and wants no more lies. So he comes out and says it: “And what I am is… I’m gay.”

And Burt, glorious Burt, who’s been sketched as a ‘man’s man’, whom you would expect to not take this well, just says: “I know. I’ve known since you were three.”

Kurt isn’t sure at first what to make of that, but when Burt clarifies: “All you wanted for your birthday was a pair of sensible heels,” he knows and he can start to smile. Burt isn’t in love with the idea but makes it very clear that no matter what, he loves his son and will be there for him, and they hug.

*Side note: Seems a bit odd though that with Burt knowing about the heels he wanted then, why he would make a fuss about a tiara collection and take away his car (1.03). Unless there was another reason that Kurt rather not explain.

Puck is hurt by Quinn’s speech and attitude earlier and takes it out on her with a couple low blows.

Glee club finally gets a full complement with Mike Chang, Puck and Football Mike joining. Why Mike and Mike join, no idea. But Puck joins so he can be closer to Quinn, he meant what he said, he wants to be there for the baby, even if Quinn doesn’t want him.

Will starts rehearsal with the West Side Story solo again, and doesn’t bow to Rachel, go him, even if his motives are still skewed. He gives the solo to Tina again, and Rachel makes up her mind. She quits Glee and joins the musical Sandy is directing, where she can be the one and only, the star.

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Best Lines

Kurt: My body is like a rum chocolate soufflé, if I don’t warm it up right, it doesn’t rise.

Finn: I got this from the school library. Did you know you can just borrow books in there? All of them. Except for the Encyclopedias and stuff.

Posted in: General Tagged: Analysis of Sorts, Fandom, Music, Review, Sociology, TV

Glee 1.03 Acafellas

Sunday, November 7, 2010 by Tse Moana Leave a Comment

On the whole I didn’t find this episode that strong, although that could be because the focus lay on the Will story and I tend to like those less. I mostly go for the background kids and their stories Glimlach

Cute intro, Will is bursting at the seams with the news that Terri’s pregnant. Nice fleshing out of Will’s dad in just a few lines of dialogue, the dreams he had. It gets Will thinking about his own dreams, which gets reinforced by Quinn’s disparaging remark/question if he ever performed after High School. So, a completely unbelievable segue later, Will has started an a cappella group with Henri, Howard and Ken. Conveniently, all the other guys are misfits, which automatically makes Will the star.

Terri is getting desperate to actually get pregnant, especially after Will tells his parents.

The moment Will has his new group, he’s abandoning Glee. He wants to be famous himself. And while getting fame by having his Glee club win Nationals is nice, fame by being in the spotlight himself is better. But being in the spotlight isn’t all it’s cracked up to be. And when it blows up in his face he goes back to the thing he knows he can do, which is Glee,

Quinn and Santana are on a crusade to break up Glee, under orders from Sue (even though Quinn’s eager to do it for her own reasons). Hence the remarks to Schue, and setting Mercedes up to go after Kurt as a love interest instead of a friend. Which is what they have become. And also trying to get the others to hire Dakota Stanley, who then breaks all of them down, one by one. And then the kids band together, kick out Dakota Stanley and get stronger as a group in the process.

Finn is trying to make it about him by threatening to quit if they don’t go along with what he wants. As ever, he’s yo-yoing between enjoying Glee and worrying about his reputation. Will recruits Finn for the Acafellas so he won’t quit. And there we have Puck getting involved with the Acafellas. I’m not quite sure about his motives, but I’m not convinced they are what he says. I think he just wants to sing, loves to sing, but thinks (and rightly so) that joining Glee will tank his reputation.

Kurt has a kick ass car Emoticon met brede lach Too bad about the window… And too bad it gets taken away. Lousy reasoning too, taken away because he had a tiara collection :/ I’m not sure I buy that.

Kurt was this close to coming out to Mercedes, and then last minute turned it around by confessing he loved someone else. And his look is straight on Finn. But he confirms, even as he gets a frowny what-are-you-on-about expression, when Mercedes turns around and sees Rachel and thinks it’s her. Because he doesn’t quite dare to come out yet. Even though most already suspect or know, as evidenced by Rachel and Tina’s gayvention of Mercedes. Mercedes has some nice lines about stereotyping and judging on appearances. And when it comes down to it, of course she’s right, until Kurt comes out you can never be 100% sure.

And then Kurt comes out, and the person he tells is Mercedes, who has really become his best friend. Lovely moment, very well done. Especially his looking around to see if they’re no one else to hear before he actually says he’s gay. And the tie keeps smiling, even though Kurt is sad, and lonely

Sue chews out Quinn and Santana for failing to bring down Glee. She revokes their tanning privileges, which has Santana in tears. She’s still mostly a caricature at this moment. See also, earlier, where she dumps Puck because his credit score is terrible. She gets fleshed out more later, but is being set up as a supremely self invested girl. Quinn has actually learned a lesson from the whole procedure, she’s learning putting the losers down isn’t all that fun, because she is getting to know the losers, and they’re people too.

Sandy is way, way too creepy.

I LOVE Josh Groban hitting on Will’s mother Emoticon met brede lach

And a nice ending for Will’s dad who’s taking a cue from his son’s dream-chasing to change his own missed dream: he’s enrolling at law school.

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Best Lines

Mercedes: Have you ever kissed someone?

Kurt: Yes, if by someone you mean the tender crook of my elbow.

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Josh Groban (to Will’s mom): Let me tell you, throngs of screaming teenagers don’t do it for Josh Groban. Josh Groban loves a blousy alcoholic.

Posted in: General Tagged: Analysis of Sorts, Fandom, Music, Review, Sociology, TV

Glee 1.02 Showmance

Saturday, October 23, 2010 by Tse Moana Leave a Comment

The Kids

Rachel’s not improving much on what was established about her in the pilot. The first words out of her mouth as we see her are to tell Schue that she picked out some music that “feature me heavily in the lead vocal.” Later on, when dancing, she has no idea where the other kids are as evidenced by her almost kicking Mercedes in the face.

Interesting to note that Rachel comes to school alone, Finn comes alone, but Mercedes, Tina and Artie come together, and have apparently been doing things together as well. They’ve started a real friendship.

Kurt is being held hostage by the Football team. Schue, who has been teaching at the school long enough that he should know what goes on, is totally oblivious to the obvious discomfort that Kurt radiates. The look Kurt gives Schue as he walks past is full of contempt and quiet desperation. The moment Schue is gone, the football team gets to business. Kurt’s call for them to wait as he tosses his bag at one of them to keep it safe from the dumpster is a way for him to regain at least some measure of control in the situation. It gets clear here too that Puck is really the muscle of the football team bullying. Finn is the quarterback top dog, and Puck does the hard work.

Kurt and Mercedes are growing a friendship too, they argue fashion and hair and there’s shared looks as Schue talks during rehearsal.

Mercedes gets a solo bit, good, albeit a bit stereotype and very, very short. Schue takes the spotlight, to show it to the one who will get it later, Finn.

Quinn is getting more uncomfortable with Finn being in Glee. She needs Finn to quit, if he doesn’t, it’s her popularity that’s taking a hit (see review of 1.01). Good of Finn to stand up though and stick with something that he really likes.

Rachel keeps impressing upon Finn that he’s good and talented and such, even though, I’ll say again, he’s not that good. But she has a crush on him, plus (or maybe even because) he matches her perfect picture so she can’t stand the idea of him quitting Glee. She even joins the celibacy club for him. The celibacy club meeting scene was mostly just meh… Although it provides a nice bridge to the song the Glee kids do at assembly when Rachel runs out after proclaiming that really all they want is sex.

During the song, Kurt gets to smack Finn’s butt, I wonder if this is where his crush on Finn starts.

After the performance, Quinn is now sure she needs to join Glee club or else she will lose Finn. Puck… there’s more going on in his head but he’s hard to read. He’s into Quinn, so if she joins he’ll go too, that much is sure. Quinn auditions for Glee club with two trusty lieutenants (Santana and Brittany) and nails it (even though her voice is a bit weak). She has no choice, everything she does has to be perfect, so her audition for Glee as well.

The whole picnic on stage thing, over the top much. Rachel’s actively seducing another girl’s boyfriend because he fits her better, and Quinn’s feelings (if she even realises Quinn has them) are irrelevant. And Finn doesn’t mind, to him it’s a natural state that girls are automatically attracted to him. The only reason he runs away is to stop from “arriving” not because he has any thoughts on how it’s not exactly nice to cheat on your girlfriend.

Rachel gets told it’s not all about her when she complains about Quinn joining. Too bad it doesn’t stick. Her rendition of Take a Bow is noticeably auto-tuned. It’s also hypocritical, blaming Finn for putting up a show and leading her on, making her think he might be faithful to her, while it was her coming after him in the first place.

The Adults

I’m only noticing now that Will actually has a Glee vanity plate on his car, nice accessorising to show his obsession with Glee. More evidence Will hasn’t really been paying attention to what is needed for Glee Club to work, but that he’s just chasing his dream (and his past) when Sue waves the rulebook in his face. I would think, when you take over a choir and get the kids’ hopes up with talk of going to Nationals or even just Regionals, you’d look up requirements and such. Except he hasn’t. Sue has to tell him there’s a rule book and that he needs more kids.

There’s not really a coherent base to Sue’s desire to undermine Glee club. The Cheerios are majorly successful, their budget is more than enough, what with Sue’s extra sponsors outside of school and Sue herself is successful. It’s not that she hates music either (even though this doesn’t really get articulated until the Madonna episode). It seems to me it’s mostly that Sue always needs something to challenge, to bounce herself off of. Being afraid of Glee club taking her spotlight is a ridiculous motive.

Emma is aware her crush on Will is wrong (as in he’s married), but she’s not really stepping back. Will isn’t either, he’s flattered by the attention, and likes the fact that Emma is fawning over him instead of riding him, as Terri is. Emma is literally throwing herself at Will. She stands around the corner until he’s there and then comes barging out as if she never noticed him. It takes Ken Tanaka saying it to her face to make Emma realise she can’t be around Will the way she has been, “playing house” with him in cleaning and stuff. Emma sees the light, a little bit, and backs out of cleaning with Will, confronting him with their behaviour, and focusing her attention to someone else. Even if she has zero interest in that person.

Nice cut to Terri in the new house deciding what needs to be done there, as the kids sing Golddigger, except that that isn’t really Terri’s underlying motive. Terri is still annoying, but also kinda sad. And Will… instead of addressing the deeper issues here, he just hides away (submerging himself in the bath), then gives in and gets an extra job as janitor because it’s easier than getting into what’s at the base of Terri’s behaviour.

Terri learns she’s not really pregnant and she’s exasperated at first. This was something she wanted and now it got taken away from her just like all the other stuff. Along the lines of something she said in the previous episode: “why can’t we have nice things!”

Terri wants to tell Will about hysterical pregnancy at first, but can’t when she hears him express his dream of family. So she blurts out that it’s a boy, and backtracks on the new house. Deep down she knows she can’t keep this from him, but she desperately wants to keep him, and she knows that he’s pulling away from her. And the harder she tries to keep him, the more he pulls. But Will wants a family more than getting away from Terri, so as long as he thinks she’s pregnant, he will stay.

The responses in the crowd to the sexy song are fun to watch. Sue is outraged, not just at the kids daring to perform something like that, but also at the reactions of the others. I wonder a bit why she is so outraged, but I’d wager it’s tied to her being not in a relationship, and about over-doing things, beyond the natural state (kinda how she explodes at Santana after her boob job in 2.01). Emma is liking it a lot, Will is horrified and Figgins is swaying to the music barely seeing what the kids are doing. Like always, he seems mostly clueless. He goes with what is best for the school, either in terms of bringing in money or increasing reputation, but what he thinks doesn’t really come out.

Also, inconsistency. Figgins gives Will a list of pre-approved songs they can sing, which are all songs that have Jesus in the title or are about balloons… And Sue is not protesting that, while she later in episode 2.03 protests when the kids want to sing religious songs… It pours more oil on Sue’s fire too by cutting her dry cleaning budget to get Glee new costumes.

Funny Bits

Kurt on doing Freak Out at assembly, with a matching gesture: “They’re gonna throw food at us! And I just had a facial!”

Kurt can express so much with just gesture, posture and looks. *love*

Kurt and Mercedes arguing fashion and hair during the second rehearsal Emoticon met brede lach

Kurt has the best lines Emoticon met brede lach

Rachel: “We’re gonna give them what they want.”

Kurt: “Blood?”

Posted in: General Tagged: Analysis of Sorts, Fandom, Music, Review, Sociology, TV

Glee 1.01 Pilot

Friday, October 22, 2010 by Tse Moana Leave a Comment

Since I’m totally obsessed, and the GleeVeeDee is now here, I better put both of that to good use and review it. Mostly since there’s so much undercurrent to Glee that, when just watching casually, might be overlooked. I know it’s taken me until I started watching the second season to really get just how much is going on beyond the superficial layer of the singing and dancing, and the skin of the shows’ character development.

I credit Calanthe from Quite Contrary with a lot of the insights I gained, being trained to dissect text really does make a difference, but I think I’ve added quite some of my own into it as well.

So, with that said, here’s the Pilot episode. It’s not a standard review of “this is what happened and this is what I think of it”. It’ll be more bullet point things I guess, stuff I noticed, overarching themes, the through-line of the season, character development etc…

First thing to notice is how really all of the characters are initially portrayed as stereotype characters, and then this gets twisted as the show goes on. Rachel is the stereotype talented-and -friendly-underdog-turns-star, but is shown not to be that friendly, and to be driven by self-interest first and foremost. Kurt is the stereotype fabulous-but-airheaded-wimpy-gay-guy, but is shown to actually have a good intelligence and reasoning and is full of courage and strength. And so on.

Character by Character

William Schuester: The first thing he asks when Emma mentions that Sandy got fired is who’s taking over Glee club. Not why he got fired or something like that, which is what most people would ask first, even if it’s someone you don’t really like. Hell, especially when it’s someone you don’t really like (gloat factor). But Will is in it for himself, he wants Glee club, has always wanted Glee club and reclaiming the former glory of his own high school days. So as soon as he knows, he’s in Figgins’ office getting his hands on the club. Even going so far as to pay the school for being able to run it, and running the detention class for free.

When the club looks to fall apart because Rachel is threatening to leave if he doesn’t find her a “male lead who can keep up with me vocally” he resorts to blackmail (using the Marijuana he got from Sandy) to get Finn into the club. And it’s not even that Finn is a great singer, it’s mainly that he reminds Will of himself when he was Finn’s age (and Will is, thematically, an adult version of Finn), and he matches with Rachel in her ideal pictured world. And Will much prefers this popular image himself too, as soon as he has a male lead for Rachel, the others get relegated to background and they have to fight for any solos they get (in later episodes). And then I don’t mean the solo pieces they do outside of Glee club (like Mercedes doing Bust Your Windows in the third episode), I’m purely referencing the songs here that are shown to be Glee club show pieces. In them it’s practically always Rachel and Finn that get the solos by default. The others usually have to speak up and protest to even get a shot.

It is admirable of Will to want to go and quit to become an accountant after Terri tells him she’s pregnant so he can better support his upcoming family. One of the few mature things he does in this episode. However, he’s not doing it because he himself makes that choice, but because Terri is making him do it. So I like that he eventually goes with  his heart and remains at McKinley High after Emma talks to him about passion, even if Emma has ulterior motives.

Aside: The audition pieces are awesome insights into the characters, especially looking back, having seen everything at least once now.

Mercedes Jones: The first time we see her she’s on the stage auditioning for Glee club with the song Respect. This really paints her core character with one major blow. She wants respect, she wants to be on the foreground (“I’m not down with that background nonsense, I’m Beyonce, I ain’t no Kelly Rowland”). As a black girl in American society there’s so much baggage to her daily life. So much subconscious (and conscious too) racism going on. Even though Kurt gets set up to be the poster boy of the bullied kid, Mercedes knows what it’s like, because racism is still so ingrained in American culture. This also explains why it’s Kurt and Mercedes who build a friendship pretty quick, they understand each other.

Kurt Hummel: He auditions with Mr. Cellophane, literally singing that his name should be Mr. Cellophane because people don’t see him. He desperately wants to be visible, be seen as the person he is. Yet at the same time, what he does show of himself gets him ridicule and bullying for being girly (and probably already for being gay*, even though they don’t show it, and regardless of him not officially coming out until the third episode). He has built such walls around him. You see it first when the kids want to throw him in the dumpster. He doesn’t let show how much it hurts, deflects by making it about the jacket (even though, as an extension of his personality, the clothes he wears are very important to him). While auditioning, his almost casual looking up and straightening his hair, are all designed to shield how he really feels. How he really wants to be visible. Yet, at the same time he pushes people away, afraid to show who he is. His body language screams this, always positioning himself away from others, and even from the look he gets as he has to swing Tina around in the first Glee rehearsal. The only one he has a more open attitude towards is Mercedes (he actually dances slightly toward her as they perform Don’t Stop Believin’ at the end).

Tina Cohen-Chang: I’m not getting a lot of Tina vibe just yet. She’s in a shell too, hiding behind her stutter. We learn in 1.09 that her stutter is fake, and that only makes it more obvious how she’s using it as a shield now. She’s quiet, and unobtrusive, but wants to be seen enough to let herself be through her outfit. Seriously, the outfits they all wear are almost characters on their own.

Rachel Berry: It has to be about her. That’s not only obvious from her behaviour — first the look on her face as she watches the original Glee club boy sing the solo, and then going crying to Figgins about Sandy’s touching of the boy (which, apropos, was way out of line). The only reason she does that is to get Sandy fired and to get the spot she thinks is rightfully hers, star of Glee club — she even says so through her audition song (On My Own) and in the voice over: “Me, the star.” She’s been prepping to be the Special One since she was a baby. She says so to Schue after the first rehearsal: “Being a part of something special makes you special.” She wants, no needs, Glee club to become great so she can become special (“I’m sorry Mr. Schue, but if you can’t give me what I need…”).

In her mind, the world revolves around her, and even considering that others have feelings, and a life outside of being characters in The Life of Rachel Berry is alien to her. She’s also low on the social hierarchy, unpopular, getting slushied and ridiculed by the Cheerios and Jocks. She does have what it takes to become a popular girl, though. However, being the unpopular one now fits  the story of herself she has in her head too well. She’s living the life of the talented and lovely underdog who has a hard time but gets out at the end. And she does it pretty well. Except…. She’s not putting in enough effort for it to really work. If she really wants to get out of the small town life and become a star, it doesn’t stop at taking various lessons and singing in Glee club. Why does she never work on advancing her talent and career outside of school and her bedroom? No try-outs for music schools or theater or what not. She’s not really living that underdog-turns-star life, she’s playing at living that life.

Quinn Fabray: Even though we don’t really meet her here just yet, it’s obvious she’s the classic popular girl. However, being popular is a lot of work for a girl, she has to make sure she stays thin and looks great and gives the good example by excelling as a Cheerio as well as academically; and through being the celibacy club president, and having a popular boyfriend. She can’t afford to slack off with even one of these things, or she risks losing her position. And her position as top dog is what might give her a chance to ever get out of the shit hole town they all live in. So to make sure she stays there, she not only has to do the work, she also has to make sure the rest stays down.

When she watches Glee club on stage at the end of the episode we know she’ll join. After seeing Finn talking with Rachel earlier on, and now them on stage together, she knows she can’t not join. Part of her popularity is having Finn as her boyfriend. Letting him be in Glee without her, with Rachel is setting the stage for rumours that will undermine her popularity and resulting authority.

Artie Abrams: Not that much Artie vibe either. He gets a lot of crap at school too, that much is clear. His wheelchair is what makes him a target. Like Tina, he gets relegated to the background, especially obvious in Don’t Stop Believin’ where we hardly see him as he plays the guitar until the end of the song where Tina wheels him near.

Emma Pillsbury: The first thing you notice is her OCD. The world has to be in order, her order. She also wants Will, from the beginning. So while admirable when trying to counsel Will on doing where your passion lies, the underlying motive is having him stay so he remains near her.

Sue Sylvester: She actually says it out loud, the whole stereotype thing. High school is built upon a system of preconceived identities, and every kid gets forced into one of these boxes. And if you deviate, you will be put back into your box (see Kurt, who deviates from his box in multiple ways, and how they keep trying to shove him back into it).

Finn Hudson: It’s not until Will hears him singing and blackmails him into joining Glee that we really get an idea of who he is beyond the superficial image. He is the male version of Quinn, the Quarterback on the Football team, and her boyfriend. And just by being that, he is the most popular male, he doesn’t have to do anything else for it. Just be there. He’s not smart (trying to hide his Glee club rehearsal by claiming he had to help his mother after her prostate removal…), he’s not that good looking and he’s like Rachel in the sense that he’s first and foremost interested in himself. He’s also a bully, he has no qualms about slushieing others, and, while he doesn’t physically throw Kurt in the bin in the beginning of the episode, he gives his silent approval as the other guys do.

When he gets forced to join Glee, at first all he does is try to get out again. Later he does realise he likes being there and has a rare moment of insight where he proclaims they’re all losers, however he turns it around by claiming neither the football team or Glee club can win without him (even going so far as barging in and taking charge of the music while knowing nothing about that). He keeps struggling with trying to maintain his popularity in spite of being in Glee. Because in the end, being popular is more important to him. So for him the drive behind trying to get Glee popular is for himself to remain popular. And really, the only reason he gets to be the male lead is because Rachel wants him to be. His voice is mediocre at best, both Artie and Kurt are way better singers than he is, but they don’t fit the popular picture.

Noah ‘Puck’ Puckerman: He looks like another stereotype Football Jock, but he actually has something happening underneath that. He has brains (he does know “chicks don’t have prostates” even if he has to look it up, he knows something’s fishy and he at least knows what libraries are for), he has a better voice than Finn has, but he also has a popularity to maintain. He’s Finn’s friend, but also his rival in vying for Quinn’s attention. When he joins Glee club, it’s for Quinn. But he’s also a bully. And very much a physical bully (like locking Artie in a port-a-potty and wanting to roll it over). So he manages to remain popular despite being a member of Glee club by intimidating the rest. It’s clear from his expression at the end that he would like to be there on the stage (I may be reading more into it though since I know how his story goes in further episodes).

Terri Schuester: On first viewing I hated her. She’s whiny and self-absorbed (“I’m on my feet 4 hours a day, 3 days a week, I have to cook dinner for myself?”) and some of the things she does later on… I still don’t like her, but I see where it comes from now. She’s stuck in her high school, teenager persona. She was the star girl in high school, the Quinn Fabray of her days, and fifteen years later, there’s hardly anything of it left. All that high school popularity never led to anything. She married the high school sweetheart in the hopes of having that grand life, but instead got stuck in the same old town, with a mediocre job, a mediocre husband and a mediocre life. She has dreams and she wants things and she believes, from a teenager’s perspective, that just because she is who she is, she should get that. And when certain things threaten to take away what she has, she resorts to drastic things to keep it.

Ken Tanaka: Also in it for himself, very primal he wants what he wants (Emma) and will try almost anything to get it. He also, like Sue, points out one of the underlying cores: the Herd. “The second anyone tries to rise above, tries to be different, the herd pulls him back in.”

Other Stuff

Sue vs. Emma is obvious from the start, they don’t like each other and are not afraid to show it. Will vs. Sue, which doesn’t start until he takes over Glee club,  is more subdued at first. Mostly because Will, like an adult version of Finn, can’t comprehend how someone would want to take that away from him.

The Glee club kids’ faces as they watch Vocal Adrenaline perform are hilarious 😀

I <3 Kurt.

*I base this on how, in the third episode, Quinn and Santana notice Mercedes and Kurt and encourage her to go after him. At that point, both of them are doing this as popular girls, not trying to help Mercedes, but having fun with her. They pretty much know Kurt is gay and are setting her up for disappointment. Later on Rachel comes up to Mercedes for a gay-intervention, trying to let her know that Kurt is most likely gay. We’re still not sure at that point, but it makes clear what the other kids think, and so he will most likely have been bullied because of it.

So… I guess I ran a little long here. I was at 1500 words already by the time I was 1/3 into the episode… Ending with a little over 2700, not bad 😀 And it only took, oh say, a whole afternoon? Regardless of that, this was great fun so I’ll be doing the other episodes as well.

Posted in: General Tagged: Analysis of Sorts, Fandom, Identity, Review, Sociology, Stereotyping, TV

Hehehe

Tuesday, October 19, 2010 by Tse Moana 2 Comments

LOL, I figured since I’ll probably remain Glee obsessed for quite a while I should add a dedicated Glee tag to go along the more general TV one 😀

Posted in: General Tagged: Fandom, Site, TV

Weekly Four: week 41

Monday, October 18, 2010 by Tse Moana 2 Comments

I’m grateful for Glee, it’s making me so insanely happy!

I’m happy about a great many things this week; the Glee DVD box set I ordered is already dispatched, the WoW Cataclysm cinematic was released, BlizzCon is coming weekend (yay for virtual tickets) and I love infecting friends with Glee fever 😀

I’m annoyed the clip on my Internet cable broke and now I have to duct tape it to my laptop to stop it from slipping out all the time. I want wireless Internet.

I learned blogging on the iPhone can be very convenient 😀

Posted in: General, The Week in Review Tagged: Eva & Jarig, Fandom, Tech, TV, World of Warcraft

Weekly Four: week 40

Wednesday, October 13, 2010 by Tse Moana Leave a Comment

Slightly late 😀

I’m grateful that I discovered Glee, it has made me incessantly cheerful the past week and a half 😀

I’m happy I made the e-mail team at work.

I’m sad I’m almost up to speed with Glee, since that means waiting a week for new episodes instead of just clicking play on the next one I already have.

I learned that, as long as I stand and produce enough volume, I can make the high notes and sing my favourite Glee tune, Defying Gravity.

Posted in: General, The Week in Review Tagged: Fandom, Music, TV, Work

Glee

Sunday, October 10, 2010 by Tse Moana 4 Comments

I discovered the TV show Glee earlier this week. I’m half way through the first season now, and I’m in love. I’ve always had a soft spot for musicals and such, going back to Mary Poppins and the Sound of Music, but also newer things like Sweeney Todd or Disney musical films like The Lion King, so when I finally read somewhere what the plot of Glee was (I had heard of it before) I was intrigued. Some quick internet later, I was watching the first episode and I’ve not been able to get it out of my head since 😀

I love that most of the songs that are done in the show are also released, I’ve been listening to all the songs in between watching the episodes and have found several new additions to my favourites list already. Songs like Take a Bow, Bust Your Windows, the It’s My Life/Confessions Mash-up, but, the one that really stole my heart was Defying Gravity. I’d never heard that song before, but when I heard the version that Chris Colfer, who plays Kurt, sang, I was sold. The song’s been stuck in my head ever since.

Edited to add: Also, it’s not just the music part of the song I love, but the lyrics are great as well, the whole going-for-it, not-letting-anything-stop-me thing.

Something has changed within me
Something is not the same
I’m through with playing by the rules
Of someone else’s game
Too late for second-guessing
Too late to go back to sleep
It’s time to trust my instincts
Close my eyes: and leap!

It’s time to try
Defying gravity
I think I’ll try
Defying gravity
Kiss me goodbye
I am defying gravity
And you wont bring me down!

I’m through accepting limits
”cause someone says they’re so
Some things I cannot change
But till I try, I’ll never know!
Too long I’ve been afraid of
Losing love I guess I’ve lost

Well, if that’s love
It comes at much too high a cost!

I’d sooner buy
Defying gravity
Kiss me goodbye
I’m defying gravity
I think I’ll try
Defying gravity
And you wont bring me down!

Posted in: General Tagged: Fandom, Media, Music, TV, Videos

I Dreamed a Dream.. Well, Several Really

Saturday, March 20, 2010 by Tse Moana 3 Comments

I found a pile of papers the other day while I was clearing out the computer desk in preparation of taking it apart next week. The papers turned out to be descriptions of dreams. I’ve had the habit of writing down my dreams if I remember them, but didn’t know it went that far back. I figured I share some of the more amusing ones. I tend to incorporate geek and popular culture in my dreams…

Here’s a recent one, from January 20th this year:

I was on a cruise ship with Emily from Gilmore girls who was my grandmother. We met a charming older man who was flirting with her and sweet talking her and such. But she saw through him, she knew he had taken her key and just wanted to steal her things from her cabin. So she went away to warn the authorities. I didn’t know this.

A while later I was going back to our cabin and when I got in, there he was, stuffing his pockets with grandma’s jewels. I confronted him and just like that he pulled out one of those lady guns and shot me. Hit me square in the chest! But I guess the gun didn’t have a lot of power or something cause it left a good hole but I didn’t fall over or anything. I just stood there going from wound to guy and back going “You shot me!” (à la Dr. McKay in Stargate Atlantis). The thief took advantage of the confusion and ran past me and away.

I decided chasing him was not my priority so I went looking for the doctor’s post. I ran/walked around the ship for half an hour trying to find it without much luck. I came to the restaurant and seating areas and whatnot more but no doctor. Until, eventually I came to this crossing. I twirled around, looking where to go and sort of desperately, (cause it was really starting to hurt now) called out: “Where’s the damn medic!”

Upon which, behind me, someone said: “here.” 😀
So I turned and indeed there it was, yay! So I went in and they chastised me for not just asking a steward or something but running around and making scenes and stuff (which I hadn’t done… not really anyway…).
I got angry and stood in front of them going: “Yeah well, I got shot!” pointing at my shirt. They went all stammering and wide eyed 😀 And then my alarm wouldn’t shut up anymore 🙁

Here’s another one. I didn’t write this down until 2001, 2002 or so, but dreamed it a few years prior. It’s just been one I’ve always remembered.

I was out walking Tessa (the family dog) together with my mom. It was late at night and it was drizzling slightly. Suddenly, we heard a loud noise, like a huge animal. Then we saw a huge pink-and-yellow dragon (built like a T-Rex) moving about scaring people. We ran into a house that had long high hallways and high narrow windows. Kinda like an old mansion type. We ran through these hallways for a while before emerging outside again. Mom and Tessa then went back home while I went out to look for the dragon.

I soon found it and somehow managed to get onto its foot as it slowly but deliberately moved through the streets. There, I was shocked to discover seams. A bit of prodding opened a small hatch revealing electronics inside the dragon, it was fake. I fiddled with the wires and some buttons and managed to shut the dragon down.

This whole dream was rather elaborate but more of the details have been lost over time.

Later more 😀

Posted in: General Tagged: Dreams, Mom, TV

Torchwood: Children of Earth

Saturday, July 11, 2009 by Tse Moana Leave a Comment

I’m still not quite coherent after this week of mind-wrecking tv but I need to vent things and since that’s what this place is for…
Just to be on the safe side I’ll put this after a cut for any stumbling in Americans that are waiting for BBC America’s broadcast starting July 20th. In short, I loved the series as a whole, well written, well acted, well directed, easily 4 out of 5 stars. I just have some minor issues and one major issue that ruined everything for me.

So… Torchwood… I’m in danger of rambling so I’m just gonna take this sort of by topic instead of doing it episode by episode.

Let’s start with the aliens. I thought the portrayal of the 456 was excellently done! By keeping them hidden the tension was kept up and there was no risk of having the audience burn the cgi. I was bothered by the fact that no-one tried to use the 456′ box against it. It sent instructions to build it so the government people knew how the thing worked, they couldn’t figure out a way, later, to break through the box and just kill the alien by venting its atmosphere?
The other thing about the 456 that I liked was that they didn’t want the children for some kind of higher purpose but just as a fix. To them, we mean nothing, we’re just a drug to them.

Then there’s the team. My love for Torchwood grew from the team dynamic. Granted, the wacky adventures they had we’re great fun to watch but it ‘s the characters and their dynamic that kept me watching. I love Captain Jack as this swaggering, cheeky man, almost always with a twinkle in his eye and at his best when he can go and do something. I also loved how they built up Ianto from the manservant who never got involved to full-fledged member of the team. And the Jack/Ianto relationship really gave a new dimension to both characters. Owen was another of my favourites, it was awesome to see him grow, see him become more than the basically angry man he was in the first few episodes of series 1. And, at the risk of repeating myself, same for Tosh and also Gwen. And then RTD started to break this down.
First he killed of Owen and Toshiko, leaving the team broken. I’d wished they would’ve touched on this a little more even though the scene were Gwen says good morning to their picture was really touching and all out lovely.

During the beginning of the crisis, the team sticks together and the team dynamic is good. As the situation worsens, however, the more the team gets separated (if not physically, then emotionally), especially after the hub explodes. I love about Torchwood how the team can make me laugh, and this series had remarkably few moments of that. I know it’s been emphasised from the get-go that this would be a darker Torchwood but there’s a thing as too dark. I watch Torchwood to have a good time, get some decent sci-fi in and have a laugh and a chuckle. I can’t remember any laugh out loud moments in this series, however, outside of the moment where Ianto breaks Jack out of prison. That was so very much a Torchwood thing; Gwen and Rhys sneaking in as undertakers, of all things,  then Ianto and his JCB come barging in. And Gwen admonishing him for taking his time when they run out and climb in to run :).

I also really enjoyed the moments the team members had with their families. Gwen with Rhys (even though he was almost a team member in this series), Ianto with his sister and her family and Jack with his daughter and grandson. They rounded out the characters, made them more human. Plus, they brought home the fact that this thing with the children does not only affect the world, it also affects them personally.

Now, outside of the the fact there was not much laughing or even chuckling to be done, I was gaining faith. The team was growing, getting used to being this smaller group. The dynamic was different but it came back. And then the unforgivable happened. They killed of Ianto. o.0
The scene was excellently acted and wonderfully executed by remaining close on them as Ianto was dying. But, and this a big one, it totally ruined everything for me. Jack is my favourite character of the bunch, but Ianto was such a close second you’d need a very tiny measuring tape to get the distance between them. And the Jack/Ianto relationship was awesome and brought new insights to both their characters and was slowly getting Jack out of his comfort zone. Jack is really a man who has been hurt a lot in his long time on earth and he keeps his emotions inside for the most part, a measure of self-protection, and Ianto was breaking this down. And then they killed him, and with him a part of Jack too.

The way of killing Ianto, however, seemed random(ish). No heroics, no going down fighting, just a virus, from an alien in a protective box, neither of which can be fighted, can be stopped. I get the point they’re trying to make: Torchwood is dangerous, you can die at any time, and it doesn’t have to be a major event either; but this was like a last straw kinda thing. After Owen and Tosh, now getting rid of Ianto killed the team dynamic. There is no team anymore, there’s Jack and there’s Gwen. Jack can’t really fall back on Gwen (although the scene with Ianto’s body was very touching) cause she has Rhys and her unborn baby. And with Rhys being the type of man he is, there is no room for Jack, not in the long run. And with no other people close to him, this leaves Jack on his own.

Then, the government. I have mixed feelings over this. On the one hand, I loved how they showed the process in which the government went along with the 456. How, once the decision had been made to hand over the kids, the people, almost casually, went on to decide which kids should be taken. Creepy Prime Minister was good too, really the embodiment of how many people see the government I think. It was John Frobisher, however, who was hands down the best part of the government parts. His development from a general paper-pusher to front man was very well done. You could see him wrestle with his emotions and it really showed how easy things change. He worked hard his entire life, was successful and then this comes along and in just a few days he is brought to the edge. The scene where the PM tells him he has been chosen as example and that his kids will be taken was chilling. The following sequence, where he requisitions the gun and goes home was marvelously done, with the sound going away and the music swelling. I half expected the scene to end with the closing door but then… the gunshots.

What I didn’t like about the government was that it took up so much screen time. I get that in this story line the government is important but, getting back to a previous point, I watch Torchwood for the team, I wanted more team time.

Another thing I really enjoyed were a lot of the secondary characters. These were excellently cast and brought diversity to the plot. Rupesh Patinjali for some reason really reminded me of Dr. Bashir from Star Trek : Deep Space 9, all wide eyed and ready to dive into the world of secret organisations and missions. Of course, we learn he already is involved and gets in over his head, just like Julian (almost) has on a few occassions.

I especially liked Clem and his tics 😀 His “isn’t it” over his shoulder, his smelling of things. A favourite part, one of the few moments that got a chuckle out of me, was when Gwen brought him to the makeshift hub. She’d introduced Rhys and then Clem goes “Who’s the queer?” Ianto’s fierce “Oy!” brought a smile and then Clem’s sullen response “He is, I can smell it” brought the chuckle.
I loved Ianto’s sister, Rhiannon, how her voice nearly broke when she asked Ianto if it was something she’d done that he wouldn’t talk to her. And then Ianto telling about him and Jack was marvelous, really brings home the point, we don’t fall in love with a gender, we fall in love with a person.

Jack’s family was a pleasant surprise too, Alice was very good, I loved the little tidbits we got to know about how she deals with having a father who can’t die and doesn’t really age. And how quickly she figured out that Jack was there initially for Steven, because he needed a kid.
Johnson was another I liked. Not at first, mind you, then she was just another person who happened to be the one wanting them dead. But later, once she started learning what it was the government was hiding, you saw her change, and that was very well done. Mellowing her without having her lose her hard edge, as demonstrated at the end with Steven’s sacrifice.

And that brings us to the ending. I didn’t really like the fifth episode. It seemed both too slow and too fast. It was awfully fast how the government managed to set the whole process of rounding up the kids in motion, a matter of hours, that seems a bit unrealistic (yeah, I know, it’s TV but still :D), yet the way it was filmed took too long, I got impatient with it. The way they showed the actual taking of the kids in the buses and such was a bit low on extras, I’d expect more angry parents at the fence and more fighting back. Not running after the bus for 3 steps and then stopping, no, get in a car, chase after it, stuff like that. Same goes for the scene on the estate where Rhi and Johnny live, the amount of soldiers and of civilians seemed to low. And the whole running off with the kids and hiding in the barn, that was… meh.
I both did and didn’t like how Rhiannon lashed at Gwen that she didn’t really know Ianto at all. Made it clear that there were still many things about Ianto we didn’t know and now never will, but also showed that Ianto apparently didn’t feel comfortable enough with the team yet to share that kind of information about himself.

The final solution that Jack and Mr. Dekker came up with seemed to easy, surely someone must’ve figured that out before… Mr. Dekker seemed to relish the thought the kid at the center would fry, the way he said it, it was very creepy. Jack’s in charge again, saving the world. And he has to make the decision to sacrifice Steven. there is no other choice, no other kid nearby. It was an excellent scene, very well done. Then when the transmission starts and Steven starts to bleed and you see Alice at the window and Jack standing there, tears streaming down his face. That’s when he breaks, and then when all is said and done and he’s in the hallway and Alice comes in and just looks at him and leaves him, that’s when he starts running away from things. He can’t take any more.

If it had ended there, it would’ve been better. The six months later epilogue was kinda lame. I get why they needed a set-up where Jack goes into space and such so he can meet up with the doctor (since six months later puts it conveniently in time for the Doctor Who Christmas special he is cast for) but… there’s just something off about it.

So… yeah. Taking us on a darker path this year, definitely. But there’s also something like too much darkness. Torchwood’s upbeatness was one of the main pulls for me, but this was just mostly bleak and harrowing and full of despair.

Posted in: General Tagged: Feels, Rant, Review, TV
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