Bananaaaaaaaaaa! Thursday I went to see the Minions movie with Ingrid and Nienke. I love Minions đ And to keep in the spirit of things I had a kid’s snack pack to go with it. Tiny packet of popcorn, tiny packet of candy, a capri sun and a tiny toy.
Friday, Gert and I went to the Oosterpoort. A little while ago Gert showed me an announcement for a free concert at the Oosterpoort. It was a graduation performance for the National Master Orchestra Conducting. The two people graduating each conducted two classical pieces played by the North Netherlands Orchestra.
The first candidate was Huba HollĂłköi and he conducted Bela Bartok’s first violin concerto and Tchaikovsky’s Romeo & Juliet fantasy overture. Then, after the break, Konradin Herzog conducted Dutilleux’s Sur le mĂȘme accord for solo violin and orchestra and Schumann’s Symphony no. 4.
The pieces were really good, but I preferred the works chosen by Herzog.
I love my cinema subscription, three movies in the last two days đ
Tuesday, Nienke and I went to see Jurassic World. It was an awesome movie! Chris Pratt is great, the more I see him, the more I love him. I knew him from Everwood, and he was good there but after that I didn’t really see him in anything. I understand he was in Parks and Recreation, but I don’t watch that. So seeing him in Guardians earlier this year was a very pleasant surprise. And now with Jurassic he just reaffirms how much of a joy it is to watch him play.
The movie itself was fairly similar, plot-wise, to the original Jurassic Park. It was a very decent film. Not many surprises, but great fun and nice nods to the original.
Yesterday, I met up with Gert after work. Our first movie was Age of Adaline. I’d seen trailers and the combination of immortality, the decor and the fact that the other main part was played by Dutch actor Michiel Huisman triggered my interest. Unfortunately, the movie didn’t quite live up to my expectation. The pacing felt off and the interaction between Adaline and Ellis was awkward at times. More awkward than the story called for. Separately I liked both of Blake Lively and Michiel’s performances and I love the visuals and decor. Harrison Ford was a pleasant surprise as Ellis’ father.
After Adaline we had quite some time left before our planned second movie, so we went out for dinner. Strolling around the city we settled on Hemingway’s for Cuban inspired tapas. It was glorious and it was much. So much even that I ended up taking a bread home.
The second movie was San Andreas, and this one exceeded my expectations. I had seen trailers of this also, and was going for two hours of random disaster and The Rock saving the day. That’s exactly what happened, but there was also a plot that wasn’t completely ridiculous and that sort of coherently pulled the movie together.
Yesterday was the first time since my surgery that I went to the movies again. I hadn’t dared try before since I’m still experiencing discomfort and minor chest muscle pain when I’m sitting for a long time. It’s also only been since this week that I’ve been working a full 8 hour day again (the week before I did 6 hour days, and the two weeks before that, half days). So I felt movies in the evening after working was probably not yet a good idea. But Wednesday, as usual, I worked my half day at home and then went to the city to meet up with Gert.
During the non-movie weeks, I of course missed a bunch of movies I still wanted to see. First and foremost of those was Avengers: Age of Ultron. It’s only playing really early in the day and really late now, which is a sign it will be leaving theaters soon. Gert had already seen it, but didn’t mind watching it again.
I was pleasantly surprised by the movie, I’ve gotten used to trailers spoiling huge parts of movie plots, or even the entire plot, and here there was a whole extra dimension to the plot not shown in the trailer. I enjoyed the bit with Jarvis and Ultron, when he has just formed; and really enjoyed Vision. I hope he gets to stick around.
I had hoped, after the previous movies, that the the Avengers would really be a team by now, but there is still the same distrust and lack of cohesion between the lot of them when it comes down to it. Tony specifically needs to learn to trust other people and talk to them. Banner has his issues, but he at least is making progress and I really like how the relationship between him and Natasha was shown.
I loved the bit where they take refuge in Clint’s house and we get to meet his family, that no-one knew he had… Yet another sign that the team isn’t really a team. The interactions between Clint and his family, were lovely and it was fun to see how the others react to being in such a normal, and peaceful, environment. It was also a nice break between the battling in the first half and the battling in the second half.
The twins were interesting, I like their presence and I am sad that Quicksilver died. It would’ve been nice to see what he could do later on. I am pleased, also, that War Machine and Falcon got to play, and that the group of them is set up to be Avengers also. I do hope, though, it is not a sign that we will see less of the big names in further Avengers movies. It’s not really the Avengers without the core group.
After the Avengers we went on to see Tomorrowland (or Project T, as my cinema seems to want to call it…). It’s a bit of an uneven movie. The visuals are stunning and I want so badly to walk around in that city and explore! The intro part takes too long (I even muttered out loud for them to “get on with it”), and then when we get the part where Casey is recruited and runs away, and finds Frank and has to convince Frank, and then they all together have to run away some more and find a way to get to Tomorrowland to fix whatever the fuck is wrong takes very long.
In contrast, once they are back in Tomorrowland, it all happens to move rather fast. They talk some with Governor Nix, learn what the fuck is wrong, figure out how to stop it, and go about doing that. There’s some final battling to create a will-they-won’t-they feeling, but it’s never quite convincing enough. You know they will get it done. The final scene with Athena, though, is quite touching.
Overall, the film has a good adventure vibe, nice scifi ideas, good actors, but unbalanced plot and pacing, and is too heavy handed on the message (The apocalypse is near and it is your own fault, if humans would just DO something, they can still turn it around. Go DO that something, now).
I loved the movie, and was so touched by, especially, the ending that I cried. I can’t quite put my finger on it why, though. So I’ve spent the past few days thinking about it, but I still can’t place it.
Besides that, she works at the farm, and has school, which is rather far away. Suffice it to say, her days are full, and there’s always something she has to do.
We get snapshots of Paula translating for her parents at the doctor’s office, and working the cheese stand at the market where her parents can’t hear a customer’s questions.
As the movie is billed (at least partially) as a comedy, these situations are extrapolated and magnified for comedic effect. The doctor’s visit has Paula having to tell her parents they can’t have sex for three weeks to allow her mother’s infection to heal. The cheese stand scene sees Paula quip that it’s the division of work: her mother smiles, she talks.
I can imagine these situations can come across as insulting to Deaf people, but I feel they are justified here based on the point of view. It is Paula that we follow, and Paula who is often exasperated by her family’s antics, as teenagers generally are. She doesn’t always want to be the one that has to do this or do that, she wants to do her own things, grow up some. And her parents like to keep their little family as is, safe and home.
At school, it’s time for the students to pick their extracurricular activity. Paula and her best friend Mathilde are waiting in line when they see Gabriel, the boy Paula is crushing on. He’s from Paris and seems to be the odd duck at school. When he picks choir as his activity, Paula promptly follows suit.
During choir practice, the teacher makes them sing songs by Michel Sardou, a French singer-songwriter who’s been singing for about 50 years. He’s not very popular with the younger generation, but a bit of a legend among older ones for his work in the 70s. Reading his Wikipedia page, I’m getting a bit of a Boudewijn de Groot vibe for that period.
The Parisian, as the boy is referred to, has a good voice, so he gets to sing a solo at the end of year recital. During practice, however, it turns out that Paula, normally fairly soft spoken, has a really good voice.
The teacher turns the Parisian’s solo into a duet with Paula. They agree to practice at her house, which results in a (for Paula) embarassing scene involving herself, the boy and her parents. Mortified she decides to keep her involvement with choir a secret from her parents.
The teacher also tells her about a singing competition in Paris. The winner gets to attend a school for talented singers, in Paris. He wants her to enter, and Paula wants to, as well. To get her ready, she practices at her teacher’s house every evening singing Je Vole, also by Michel Sardou. Je Vole is a song wherein a teenager tells his parents that he is about to leave. It’s not fleeing, it’s flying away, without substances, without other influences, the teenager chooses his own path and he begs his parents to accept this.
So between all her other duties, she now has to practice her singing both solo and the duet. And then, to make matters worse, her father decides to run for mayor. Leading to Paula being needed even more to translate.
When she finally does tell her parents she’s singing in the choir, she is met with resistance and a fight. Paula’s desire to follow her own dreams clashes with her mother’s fear of losing her. A fear she’s had ever since she learned that Paula could hear.
Her parents come to the recital at school and during the choir performance you can see they don’t really get it. Why would they, they’re all born deaf, they never heard music. They’ll be able to feel vibration, but they can’t feel that from a choir sitting in the audience.
So they look around a lot, talk to each other and keep busy while they wait for the rest to applaud to signify the singing is over.
Then, Paula and Gabriel sing their duet. As they start to hit the chorus, the sound fades and it remains silent for the rest of the song. A very powerful method to give some sort of clue to the hearing part of the audience as to how her parents and brother are experiencing it. They can, of course never fully replicate it, as hearing people will remember how music sounds, but it does make you realise how weird it must be for them to see her enjoy something they can never fully participate in.
It’s a chasm between them and it scares her mother more. Her father seems more understanding and later, when they’re back home, he asks her to sing for him as he places his hand on her throat. She sings for him, and he seems to see her passion, but ultimately can’t experience it in the same way.
Paula, who had decided against leaving her family, changes her mind at the last minute and her parents ultimately support her. They drive her to Paris and she makes the audition just in time. Her parents sit in the room to watch as Paula starts to sing. Even though they might be able to read lips (they don’t really do so during the movie) they still don’t fully understand. But then, as she starts the verse, she starts to sign along.
The lyrics are adapted slightly to better fit the actual story in the movie. And she sings about her mother’s sad face and her father’s smile and how she loves them, but she has to go and fly. It’s not a running away, but she is leaving, and they will no longer have a child. With the help of the signing, her parents finally understand, and accept.
There are some other story lines that are partly shown but get no neat endings, like her father’s mayoral candidature or her brother’s interest in Mathilde, just as life itself keeps going for others when you go a different direction.
If you can, watch this movie. It’s funny, entertaining, and deeply moving. The actress playing Paula, Louane, is also a singer (she was in the French version of The Voice) and the song is available on her album on Spotify. I’ve been listening to it non-stop since I saw the movie.
I couldn’t find a Dutch or English subbed version, so this German one will have to do đ
The movie takes place in the very near future in South Africa. After the development of a robot police force, the Scouts, crime in Johannesburg (which is one of the most crime-ridden places in the world) is down drastically. One particular gang of criminals, containing Ninja & Yo-Landi Visser of Die Antwoord, owes a lot of money to a local crime lord. They decide to rob a money truck but realise they need to shut down the Scouts first. They learn, via the internet, that they were created by Deon Wilson, played by Dev Patel, and figure if they kidnap him, he can help them shut them down.
I really liked Dev Patel as Deon Wilson. In his free time he’s working on developing the first ever true AI. When he succeeds but is not allowed to use a destroyed chassis to test it, he steals it and is on his way home to insert the AI when he is cornered and stopped by the gang. They take him and the van with materials to their hide out and force him to insert the AI. He reluctantly does so and Chappie comes alive.
Like a baby, he learns things, but at a vastly accelerated rate. Which is good, since he only has about five days to live due to the damage to the battery and the chassis. Deon is sent away but keeps returning to help teach Chappie. He teaches him good morals like no crime and no killing, and shows him books and teaches him to paint. Ninja, on the other hand, needs him for the heist on the truck so wants to teach him gangster life. Outright, Chappie does not accept this, because no crime and no killing. Ninja then rephrases it as ‘recovering his stolen property’ and ‘making people sleep’ and teaches him other weaponry like shuriken and nunchuks.
Chappie also becomes fully sentient as he realises he has a battery that is running out. When told that the battery can’t be changed and that he will die when it runs out, he becomes sad. He does not want to die. Deon tries to help him deal (picture), but Ninja uses it as a tactic to get him to agree to the heist telling Chappie they can use the money to buy a new body. They practice by stealing cars and Chappie, having seen the neural interface earlier, works on isolating consciousness so it can be transferred.
Meanwhile, Deon’s colleague Vincent, played by Hugh Jackman, has his own robot. A military monster, controlled through a neurological interface instead of having an AI, with a fully loaded arsenal. He is trying his best to promote his robot over Deon’s Scouts but their boss isn’t buying it. So he decides to take matters into his own hand. The Scouts can only be programmed by inserting a Guard Keu into their brain. This key is under strict guard. Deon took it so he could program Chappie and Vincent finds out its missing.
He follows Deon and finds out about Chappie. He briefly manages to steal, or kidnap since he is sentient at that point, Chappie. He takes the Guard Key and saws of one of Chappie’s arms as punishment then throws him out. Using the Guard Key he later manages to install a program into all the Scouts causing them to stop working. As criminals start to realise this, mayhem is unleashed upon Joburg.
Chappie makes his way home to the gang, with some stops along the way (picture), and Deon fits him with a new spare arm. Chappie then goes with Ninja and the others to do the heist. A news helicopter catches him while they rob the money truck and the broadcast of a “Scout gone bad” brings even more panic. Both in the public, as well as in Tetravaal, the company Deon works for. The president of Tetravaal authorizes Vincent to use his robot to destroy Chappie. Which is exactly what he wants.
What follows is a robot versus robot battle at the gang’s hideout with a lot of casualties before Chappie manages to disable the mecha. Deon is fatally wounded, Yo-Landi is dead, and Ninja is left to pick up the pieces. Chappie frantically drives Deon to Tetravaal to try and transfer both his own consciousness as well as that of Deon into a new body.
In the end, I found the movie too broad. It is trying really hard to be an action movie and at the same time it would like to pose you several deep thoughts about consciousness and what it means to be sentient and human. And because of this, both parts suffer. I would’ve preferred it had they scrapped the whole Hugh Jackman plot and focused on Chappie figuring out what he is, who he is, asserting himself as his own person and coming to terms with mortality, whether he actually dies or not.
I’m also not really happy with Ninja and Yo-Landi. I kept seeing them more as themselves, i.e. Die Antwoord, than as the gangsters they’re supposed to be. Which is only made worse by them actually wearing Die Antwoord shirts and them using their own names. Their acting is lacking, and as such I do not believe and feel them as characters.
So, in summary, I liked Chappie and Deon and don’t really give a shit about the rest.
After Chappie, we took a quick detour to the supermarket, and then came back in for The Second Best Exotic Marigold Hotel. Another movie featuring Dev Patel as main character. I really liked this movie. It’s an unpretentious feel good movie, and follow-up to 2012’s The Best Exotic Marigold Hotel. In the first movie, Sonny is trying to build up his hotel in India where most guests are elderly and have basically moved in to spend their last years. Now, the hotel is doing really well, so well in fact, that Sonny and one of the residents, co-manager Muriel (a fantastic Maggie Smith), go to the US to ask for financial support from a franchise to open a second hotel. The franchise is interested but not willing to commit just yet so they agree to send out a mystery guest observer to see if it’s worth it.
Once back, Sonny is stressed out and dealing with way too many things on his own. Not only is he waiting for the observer, he also has his own upcoming wedding to worry about. And with how Indian weddings go, this means three parties. Shortly later, two new guests arrive, Mrs Lavinia Beech, who gets the last free room in the hotel, and Mr. Guy Chambers.
Sonny gets all frenzied, convinced that Guy is the observer, since the franchise CEO said he would “send his Guy”. He bumps Mrs. Beech to a barely finished room, and starts pampering Guy. Guy has more manners and switches rooms with Lavinia after dinner. Over the next few days, Sonny expends all his energy on making Guy Chambers like him and the hotel ignoring his other guests, and his fiancee Sunaina. He is also jealous of his fiancee’s friend Kushal as he is the choreographer of the wedding dances and spends a lot of time with Sunaina. Next to that, he has bought the hotel Sonny had his eye on to expand into. Â As a result, he gets into arguments, bungles the dance on their first party, and gets in trouble with Sunaina, and her family.
Meanwhile, the guests each have their own problems. Douglas (Bill Nighy) and Evelyn (Judi Dench) are very fond of each other but afraid to say it so they keep going in circles and missing each other. Madge is dating two wealthy Indian men and having trouble choosing between them. Norman accidentally takes out a hit on his girlfriend, and is jealous of her other relationships (as they never said they were exclusive) but afraid to say so. And Guy Chambers is interested in Sonny’s mother, who is reluctant to think of a new relationship.
And behind all this, Muriel is doing her best to keep everything together and teach Sonny to do the right thing. After all, she will not live forever and at some point he has to do this on his own. Fortunately, everything works out in the end, every one has their own happy ending, and we get treated to an awesome Indian wedding dance(party). Dev Patel is a very fine dancer đ
Above all you must always have courage, and be kind
I saw Cinderella Wednesday with Gert. Of course the story is a familiar one and even more so since this is a Disney remake of the original Disney animation.
The movie spends a lot of time setting the background of Ella and her family. Her parents love her and each other, they live in a nice big manor house with a handful of servants and a bunch of animals. Then her mother falls ill and dies but not before telling Ella the above, and not to stop believing in magic.
Ella grows up, her father remarries the Lady Tremaine aka Cate Blanchett and gains two stepdaughters, Anastasia and Drusilla. At first things are tense but okay, and then Stepmother turns the quiet, peaceful house into party plaza.
It is clear that Ella’s father can’t forget his wife and that this second marriage isn’t all that great. We get glimpses now and then of Lady Tremaine’s feelings and see that she isn’t happy either, but not enough time is spent on this. Anastasia and Drusilla are nothing more than cardboard.
Then daddy dies while overseas, and Ella’s life starts to change. Before long, she is nothing more than the maid, and renamed to Cinderella by her stepsisters. She runs off, or rather: rides, and meets the Prince.
They hit it off, they talk and flirt and go their separate ways. We then spend some time in the palace with the Prince and King. The same applies here, there’s glimpses of backstory and character stuff, but it is flimsy and superficial.
Then, ball happens, Fairy Godmother comes along (an all too brief part for Helena Bonham Carter), cgi magic happens to turn pumpkin, mice, lizards and goose into coach, horses, footmen and driver and off to the ball Cindy goes.
Visually, it’s stunning. Cinderella’s dress is fantastic and the decor is beautiful. We get some more royal background which adds the tiniest bit of plot. Cindy and Kit dance, then run off into the garden where they talk more and it is from there she runs off when the clock strikes midnight.
The rest is familiar, the Prince searches all through the land to find her, and although interrupted by a wee bit of scheming, succeeds and they live happily ever after.
On the whole, the movie misses substance. The plot is already pretty thin, and it would have been nice to really add some actual character development. Unfortunately, I find neither of the actors playing Cindy and the Prince strong enough to carry the movie.Â
Manners maketh man
Afterwards, we saw Kingsman: The Secret Service. This movie is fantastic! It’s a British film, and, fortunately, it shows.
Kingsman is an intelligence agency formed in the 19th century to be an independent secret service, free from government allegiances and influence. All members are gentlemen, and generally coming from a wealthy background, clad in the best bespoke suits you can find. In fact, their front is that of a high end tailor making said bespoke suits.
They are led by “Arthur”, their tech genius is “Merlin” and every member has a codename of one of the knights of the round table. This means there’s a set number of agents, and when one dies, the others all put forth a candidate. After an intense testing, process the one remaining candidate gets the job.
At the beginning of the movie, Lancelot dies, so there’s an opening.
Every agent brings in a candidate, and all are upper class youth. Except Galahad’s choice. He brings in Eggsy, the son of his candidate the last time there was an opening, and who didn’t make it. Eggsy is in his early twenties, no job, several brushes with the law, living with his mum, her abusive boyfriend and his half sister.
From there on we follow Eggsy as he goes through the training and selection process, and Galahad as he works, until the two plotlines meet and shit hits the fan.
The movie has this old school gentleman spy feel, and knows it. It alludes to it several times, and manages to blend this old school attitude with modern tools and equipment. It also has a very good mix of serious and fun. Coupled with excellent casting choices (Colin Firth as Galahad, Mark Strong as Merlin, Taron Egerton as Eggsy), this film is a joy to watch and very much recommended.
I forgive myself
Then yesterday, Kim and I went to see Insurgent. It picks up almost immediately after Divergent, only a few days have passed. We meet up with Tris, Four, Caleb and Peter in Amity where they have taken shelter. At first, they seem mostly settled in as they wait for things to happen and make plans. But things are not quite what they seem and before you know it, they’re back on the run, heading into the city with the end goal of killing Jeanine.
Along the way to do that, they meet the Factionless, split up, find people, and loose people, and we spend time with both Candor and Erudite before this movie’s endgame begins.
The movie skips a fair amount of book, but I feel this was the best choice as the skipped part is mostly repetitive of things seen in Divergent. By cutting it, the rest of the movie can take a slower pace and dive into things with more detail.
We get several touching Tris/Four moments, more insight into the other factions, more Sims, and we also get to see Tris struggle with herself. She’s riddled with guilt about the death of her parents and the shooting of Will, as already established in Divergent. Throughout the movie, we see her grow, and slowly deal with it.
The end is a bit anticlimactic; it feels a little bit rushed, and too easy. It does, however, leave a perfect starting point for the last film. And, even though I wouldn’t mind more of this series, I do hope they do just one movie for the last book.
This was a looong week. I had the Monday off, which was nice seeing as how I’d been away all weekend, but from Tuesday on I’ve had a stretch of five days in a row with work and appointments, and I have tentatively agreed to work an hour or three tomorrow as well to cover for Nienke as she’s still sick. I’ll make the final decision on that when it’s actually tomorrow and there’s daylight. It is kinda tempting though, as Sunday work is 200%.
To celebrate the end of the official work week Kim came by tonight for chats, some Buffy watching, and the drinking of light booze (I really like red Jillz :D).
Tomorrow I’ve also planned to finish the music swap for my pen pal club. I have the music selected, I just have to get it on the, very appropriately shaped, USB drive and write the accompanying letter detailing why I chose these songs. I received the swap for me this week, but haven’t had time to listen to it yet, so I have left it closed. I don’t want to let it influence me too much in writing my own.
I backed an interesting IndieGoGo campaign this week, also. It’s called Con Man, and its a comedic web series written and developed by Alan Tudyk and Nathan Fillion. The basic premise is that Alan and Nathan play two actors who used to be in a scifi tv series, Spectrum, together. The series was canceled early, but was a cult success. After, Nathan’s character became a succesful moviestar, while Alan’s character didn’t and now traverses the Con circuit doing panels and signings and of course weird shit happens because Cons.
It is definitely based on reality somewhat, as the parallels with Firefly are obvious. Nathan and Alan’s characters even played the same parts in Spectrum as they did on Firefly (captain and pilot).
The campaign hit its goal of $425.000 within 24 hours and now, about three days in (it runs until April 10), they are on $1.750.000. It’s going to be huge and fantastic and I can’t wait for it to be ready.
Next week promises to be fun! Wednesday I’m going to see Kingsman: The Secret Service with Gert. Since Kingsman is shown so late, we’re doing a double feature and seeing Cinderella before. And then on Thursday it’s time to see Insurgent with Kim, I’m looking forward to that very much. I am really curious how the movie’s gonna be and if it lives up to and matches the book.
Went to see Jupiter Ascending with Gert tonight. We’d been wanting to see it for a while now, but it was always being shown at ridiculous times (middle of the afternoon or late in the evening). But, today we got lucky as there was a 18:00 showing and with it being my day off, and Gert also free around that time, we finally got to go.
I’ve heard some buzz about the movie being both awesome and disappointing at the same time, and I can see that. Visually, the movie is stunning. The costumes, the sets, the decor, the CGI. Everything is elaborate and filled with details, and the action sequences are fantastically made.
I also really liked the backstory, where Earth is just another planet in a universe filled with inhabited worlds and where Earth isn’t actually all that important. It’s just another commodity to be traded. The only advantage it has, is its sheer number of people, and that makes it valuable enough, that it is worth scheming and killing for.
The various aliens are fun and interesting, and the steampunk vibe coming off the ships and buildings is a nice change from standard, smooth, grey, metal in sci-fi. The glimpse of the culture of bureaucracy in the origin of humankind planetary conglomerate of Orous is fantastic to see as Advocate Bob leads Jupiter and Caine from one desk to another to get her inheritance settled. The steampunk elements are strong in this sequence, with a drizzle of cyberpunk added, and it really sets the scene, visually.
The characters are not very well developed. Kalique isn’t shown enough to have any development whatsoever. Titus is okay, but his part (with Jupiter) of the story goes so fast that it is not at all believable. Balem is fantastically played by Eddie Redmayne. His facial expressions and creepy voice make him a perfect ‘mad king’. Unfortunately, the character’s main drive, profit and a mommy-complex, is too thin to carry the plot.
Jupiter herself is sort of interesting, but I wish we could’ve seen more of her. I do like the lack of romance. Except a mention about twice, there is no swooning and pining and other such nonsense until the very end where they kiss. Which was a nice ending.
I also like Caine very much. I found his story, and that of Stinger, the most interesting and would have liked to see more of that.
Plot and story wise, the movie is lacking. Jupiter has very little agency, most of the movie she is moving around from place to place because people bring her there, and then she runs off only to be found or captured by someone else, who brings her elsewhere. The main reason for all that moving about is to gain the title to Earth from her, either by wanting to murder her, or get her on their side. This is not fleshed out enough, because the movie spends most of its time doing chases or running. The chase sequences are very well made and look awesome, but they are too long, and too often. The running away seems fairly pointless. Other than that, it just jumps all over the place seemingly without connection.
All in all, I do like the movie, but it isn’t great. I might see it again if it’s ever on TV or anything, but I have no need for it in my collection. Which is a disappointment as I had hoped, from seeing the trailers before it was released, to love the movie.
Today was a good day, Gert came by to play games. We ended up playing only Carcassonne as Gert had recently bought the Big Box that contains all the expansion. So we played different versions in a row. Regular Carcassonne first, then another game where we added the river, then we added sheep and so on.
In the evening I had planned to make risotto, but at the end of the afternoon, my quickie nachos as a snack turned into proper nacho making for the two of us and Nienke. So we went to the store to get additional components and then made a salsa, and added proper bacon, cheese and jalapeños. It was glorious!
Okay, so I went to see Michiel de Ruyter tonight. It’s a Dutch movie about one of our best known admirals, back in the 17th century. As a lover of history, I had been intrigued about the movie ever since I saw trailers, so Gert and I decided we had to go see.
I didn’t remember a lot about Michiel de Ruyter himself from my history classes. I recognised some names of characters, and I remembered the brothers De Witt as I’d seen a painting of them last year at the Rijksmuseum.
The movie starts with a sea battle in which fleet admiral Maarten Tromp dies, witnessed by Michiel de Ruyter. After, when Michiel comes home he has been on the road out on the oceans for the better part of the last fifteen years with only occasional breaks and he’s tired of it. As Michiel gets used to home life again with Anna, his wife, and his three remaining children (an older boy and two young girls) we cut to politics. And from here on out, there be many spoilers. Be forewarned!
Johan de Witt is named the Grand Pensionary of the States of Holland, and as a consequence of that, due to the power of Holland, the de facto leader of the whole of the United Provinces. At this time, the Anglo-Dutch War is going on, and Johan realises they need a strong man to lead their navy. Unfortunately, with the admiral of the fleet dead, he needs a new one.
Cue Michiel de Ruyter. Michiel doesn’t want to, he wants to retire. But Johan is his friend, and Michiel is dedicated to his fatherland so he relents and accepts the commission. We then get shown, in quick succession, a number of sea battles Michiel leads, winning most of them. Taking pointers from The Matrix, every time a cannon ball hits a ship we see sailors and crewmen flying around the decks in slow-motion, accompanied by a blast of sawdust and splinters.
While well-shot battle scenes, using replicas of period ships for the main action and filling it in with CGI for background, this sequence got tiresome as it was very repetitive, and besides on screen titles naming the battles, there were no dates to indicate flow of time.
Peter van de Velde. The Dutch burn down the English fleet before Chatham, June 20, 1667. ca. 1670
During one of these battles his second in command Cornelis Tromp snaps and disobeys an order. As the son of the previous admiral, who was a hero to his men, he fully expected to take over the job. He doesn’t like Michiel and doesn’t trust his strategies. So he breaks formation to pursue two straggler ships and as a consequence, the battle is lost. Michiel is furious and fires him on the spot.
On the whole, though, the Dutch are decimating the English, culminating in a sneak attack on the Medway near London where they burn part of the English fleet anchored there, and steal the flagship. This is also the founding of the Dutch Marine Corps. The English are then somewhat willing to sign a peace treaty. Charles II of England (very well played by Charles Dance, aka Tywin Lannister) is pissed of at this, though, and conspires with the French.
At the same time, in the United Provinces, William III of Orange (nephew of Charles) is unhappy because he isn’t Stadtholder yet, and there are continuing clashes between republicans (anti-him) and orangists (pro-him). He is also a bit of a wet blanket. However, the peace treaty also comes with a demand by Charles for a better position for William so he ends up Stadtholder after all.
Jan de Baen. De lijken van de gebroeders De Witt. ca. 1672-1675
As time goes on, the unrest grows, the peace is broken, battles keep on happening. Political scheming also increases greatly. Meanwhile, the French are knocking at our doors in the south and Louis XIV‘s armies invade, secretly helped by Charles II. The orangists are getting really sick of Johan de Witt and his brother and conspire to have them killed. This is done in a rather gruesome way, matching the earlier mentioned, and shown here, painting.
Michiel is devastated, Johan was his best friend, but he remains first and foremost loyal to his country. Despite being a republican, William likes De Ruyter and wants to keep him on as Admiral. He reinstates Tromp and orders them to put on their big boy pants, suck it up and work together. Despite no love between them, they shake hands and seal the deal. As strategies are devised and battles planned, Tromp begins to see that Michiel is a really brilliant strategist with an excellent grasp of battle dynamics, and the role the ocean plays.
William is influenced by his power-hungry orangist retinue and starts to distrust Michiel. After a glorious victory, William announces it was thanks to Tromp’s achievements they won and Michiel realises he’s pretty fucked. He tries to retire again, so he and his wife and kids can live out their lives in (relative) peace. William has other ideas, however. After a wee shouting match in the hallways, they part. Only for William to stop him at the last minute. Michiel has declared his continuing loyalty to the land and has reaffirmed he will follow orders during the argument. So William sends him, severely outgunned, to the Mediterranean to fight.
There, Michiel and his men, knowing they will not survive, engage the enemy. When indeed he gets shot down and dies, the French they are fighting stop and give him a gun salute. Michiel is brought back home, and given a state funeral.
Overall I really enjoyed the movie. It is of an un-Dutch style and grandeur and evokes patriotism in an almost American way (think lots of flags flying and grand-standing speeches). I am personally rather allergic to patriotism, but even I could not escape it wholly while watching the film. Â And I don’t think I would’ve wanted it any other way. Michiel de Ruyter is, after all, one of the heroes of our tiny country. There’s some ruckus about this now, because he also did things that we now see as bad (slavery, whaling) so some people are clamoring we shouldn’t see him as a hero.
But we must keep in mind that this is centuries ago, in a society, a world, with different morals, different laws, and frankly, a different reality. Within that context, Michiel gave everything for our country and worked tirelessly to keep us free, free to trade, free to live. Looking back on that now, we should realise that, as morality and ethics have changed over the years, so has our reality. We enacted new laws, stopped practices we now deem wrong. So yes, definitely acknowledge our history, good ĂĄnd bad, so we can learn from that, but stop overlaying (y)our current moral viewpoint on a time and place where it is not (fully) applicable.
The actors are good, with one or two exceptions, and I liked most of the characterisations. I especially enjoyed Frank Lammers (Michiel), Sanne Langelaar (Anna) and Barry Atsma (Johan de Witt). I found William III (Egbert Jan Weeber) and his boy-toy Hans William Bentinck (Jelle de Jong) to be played rather as if they were prissy weaklings, which annoyed me.
Other than that, the movie is rife with historical inaccuracies. The writer(s) played loose and fast with the timeline, both compressing it, and rearranging events as they liked it. Historically speaking, the movie covers a period of about 25 years. In the movie, it can’t be more than about three years. And even that is a stretch. There are never any dates shown, but his children at the beginning of the movie are played by the same actors as at the end, and none of them are aged in any way. Therefore, it can’t be more than just a few years.
Jurriaen Jacobsz. Michiel de Ruyter and his family. 1662. In the back: Engel (with falcon), Michiel, his wife Anna, her son from an earlier marriage Jan, Alida (with flowers) and on the right Cornelia and her husband Jan. In the front are the two daughters from Michiel and Anna playing with their cousin Cornelis (son of Cornelia and Jan).
And speaking of his children, as an example of things changed in the movie, Michiel de Ruyter married and then lost that wife, as well as the child, in childbirth. He then later married again and, with that wife, had a son named Adriaen, a daughter named Cornelia (Neeltje), a child that died a few days old, another daughter named Alida (Aaltje), and another son named Engel. His wife then died about a year later, and two years after that, in 1652, he marries Anna. This is the wife he has in the movie.
Anna was a widow at that time, with a son and a daughter from a previous marriage. Together, they have two more daughters, Margaretha in 1652 and Anna in 1655. Also in 1655, his oldest son Adriaen dies, leaving them with six or seven living children between them (I couldn’t find if the daughter is still alive at this point).
In the movie, Anna is pregnant at the beginning. She gives birth and loses that baby. Beyond that, they have a son, Engel, and two daughters, Neeltje and Greetje. So, the number of kids is wrong, the order of the kids is wrong, and the names of the kids are wrong. And none of these kids have aged in any way at the end of the movie… This while Engel in actuality also went out to sea, fought alongside his father and separately, rising to a rank of vice-admiral two years after his father’s death.
Having said that, I recommend you watch the movie, and then spent an hour or two reading up on Actual History. The Wikipedia articles I linked are an excellent starting point. If you read Dutch, though, I recommend the nl varieties of he Wikipedia links, they are more in depth.